The Flintstones ► Saturday Morning Cartoons

Strictly speaking the modern stone-age family was not a Saturday morning cartoon.

The Flintstones has the distiction of being the very first cartoon to run in prime time. It last 6 years. It moved to Saturday mornings thereafter in constant syndication and reruns. Yet, The Flintstones was never intended for children, as the WikiWackyWoo reveals:  

Despite the animation and fantasy setting, the series was initially aimed at adult audiences, which was reflected in the comedy writing, which, as noted, resembled the average primetime sitcoms of the era, with the usual family issues resolved with a laugh at the end of each episode, as well as the inclusion of a laugh track. Hanna and Barbera hired many writers from the world of live action, including two of Jackie Gleason’s writers, Herbert Finn and Sydney Zelinka, as well as relative newcomer Joanna Lee while still using traditional animation story men such as Warren Foster and Michael Maltese.

Here’s a Theme Song Sing-A-Long:

It’s interesting the show used some of Jackie Gleason’s writers. Again, I’m going to let the Wiki tell you all about it:

The show imitated and spoofed The Honeymooners, although the early voice characterization for Barney was that of Lou Costello.[22] William Hanna admitted that “At that time, The Honeymooners was the most popular show on the air, and for my bill, it was the funniest show on the air. The characters, I thought, were terrific. Now, that influenced greatly what we did with The FlintstonesThe Honeymooners was there, and we used that as a kind of basis for the concept.”[citation needed] However, Joseph Barbera disavowed these claims in a separate interview, stating that, “I don’t remember mentioning The Honeymooners when I sold the show. But if people want to compare The Flintstones to The Honeymooners, then great. It’s a total compliment. The Honeymooners was one of the greatest shows ever written.”[23] Jackie Gleason, creator of The Honeymooners, considered suing Hanna-Barbera Productions, but decided that he did not want to be known as “the guy who yanked Fred Flintstone off the air”.[24][25]

However, at 8 years old, none of that mattered to me. I just loved all the rock jokes and anachronisms, even if I didn’t know what that word meant back then.

Here’s another Sing-A-Long:

One surprise I had in adulthood was the cigarette commercials embedded in the shows. I hadn’t noticed them when I was a kid. It would be another 10 years (the beginning of 1971) before cigarette commercials were banned on television altogether.

The following edit includes the original theme song (which I also don’t remember) used for the first 2 seasons but changed to the familiar one above because it was the same tune as the Bugs Bunny “Overture, hit the lights” theme song.

Something else I didn’t learn until I was old enough for it to matter: The famed Mel Blanc voiced Barney Rubble. He also voiced (according to the Wiki): Bugs Bunny, Daffy Duck, Porky Pig, Tweety Bird, Sylvester the Cat, Yosemite Sam, Foghorn Leghorn, Marvin the Martian, Pepé Le Pew, Speedy Gonzales, Wile E. Coyote, Road Runner, the Tasmanian Devil, and many of the other characters from the Looney Tunes and Merrie Melodies theatrical cartoons during the golden age of American animation. He was, in fact, the voice for all of the major male Warner Bros. cartoon characters except for Elmer Fudd, whose voice was provided by radio actor Arthur Q. Bryan (although Blanc later voiced Fudd, as well, after Bryan’s death).[1]

Playing Trixie to his Norton was Bea Benadaret, as his wife Betty. These days you can see Bea Benaderet early Saturday (and Sunday) mornings on Antenna TV on the George Burns and Gracie Allen Show. However, I first became aware of her, and fell in love with her, as Kate Bradley, the owner of the Shady Rest Hotel in both Petticoat Junction and Green Acres. She also played Cousin Pearl Bodine on The Beverly Hillbillies, giving her the Corn Pone Hat Trick.

Enough analysis. Let’s just go to the game films:


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Headly Westerfield
Calling himself “A liberally progressive, sarcastically cynical, iconoclastic polymath,” Headly Westerfield has been a professional writer all his adult life.