Tag Archives: Frank Zappa

Frank Zappa’s 200 Motels Gets The Full Treatment

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Circle the date. On October 23rd Frank Zappa’s 200 Motels will get the full orchestral treatment for the first time since 1970, when the London Philharmonic Orchestra performed it live in the movie of the same name.

In fact, the entire score has never really been performed by just an orchestra, the movie soundtrack having been augmented by The Mothers of Invention, newly-reformed by Frank Zappa in 1970 to make the movie. This group of Mothers featured members of the hit-making Pop-Rock act The Turtles on vocals. However, due to a shitty contract that Mark Volman and Howard Kaylan signed with White Whale Records, as teenagers, they were not allowed to use their real names for recording, so they took the names Phlorescent Leech and Eddie, respectively.

But, I digress . . .

According to Billboard Magazine, Gail Zappa has been in negotiations with the L.A. Philharmonic on and off over the years to bring Frank’s music to the ‘Merkin concert stage. While Europeans have had the experience of hearing Zappa’s music played by full orchestras, that pleasure has been denied people on this side of the pond . . . until now.

“I believe in my heart of hearts that someone on the board (of the Philharmonic) said it’s about time,” Zappa’s widow Gail Zappa told Billboard. “This music was written before our children were even conceived and they have never had a chance to hear his music in a proper concert hall.”

L.A. Philharmonic president and CEO Deborah Borda said “a lack of resources and imagination have kept it from getting to the concert hall. [Conductor laureate] Esa-Pekka [Salonen] said the first person to call and welcome him (in 1992) was Frank Zappa. Beyond any Esa-Pekka connection, it’s our connection to L.A.” Zappa died in 1993.

Frank Zappa explaining the scene from 200 Motels in which “The Girl Wants to Fix Him Some Broth.”

200 Motels was a movie way ahead of its time. It’s nice to see the L.A. Philharmonic catching up. However, I can just imagine Walt Disney turning over in his grave when the orchestra begins playing “Half A Dozen Provocative Squats” in the concert hall which bears his name.

Coming soon: A review of Howard Kaylan’s autobiography “Shell Shocked; My Life With The Turtles, Flo & Eddie, and Frank Zappa, etc. . . .” which will feature an exclusive interview with Mr. Kaylan. You can read an excerpt of the book at Rolling Stone Magazine.

Me and Flo and Eddie and Mark and Howard ► A Musical Appreciation

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“I’d like to clean you boys up a bit and mold you.
I believe I could make you as big as The Turtles“
~~~~~Noted L.A. disc jockey

A mere 3 days ago I wrote about Frank Zappa, one of my musical heroes. Today I want to tell the story of how I met Flo & Eddie. 

I’m telling this story because I am sure Howard Kaylan left this chapter out of his forthcoming book, “Shell Shocked: My Life with the Turtles, Flo and Eddie, and Frank Zappa, etc.” That’s why it has been left to me to tell the unabridged story. Get comfortable, kiddies.

Three days ago, when writing about the Zappa LP Freak Out, I said: 

Not to brag, but I was there from the beginning. I discovered Frank
Zappa some time in 1966 when I first set eyes on the cover of Freak Out
at my local Kresge’s record department. As one descended on the
escalator into the basement, a gap opened in the wall revealing Kresge’s
2-rack record department. The farther one descended, more of the record
department was revealed in the expanding triangle of the record
department. As teens we’d crane our heads into that crack to see what
was new each week.

One day in 1966 my eyes spied what was the ugliest record cover I had ever seen. I had to own it.

Inside the gatefold cover of Freak Out was a quote — almost a throw-away line inside a cover jam-packed with words and collages — from a “Noted L.A. disc jockey” who said about The Mothers of Invention, “I’d like to clean you boys up a bit and mold you. I believe I could make you as big as The Turtles“.

Clearly Frank Zappa had other ideas about that. In less than 5 years, Zappa would co-opt The Turtles and hire Mark Volman and Howard Kaylan — the former-lead singers of The Turtles — as vocalists for the Mothers.

Unfortunately, Mark and Howard had signed the worst record contract in all of show biz, or so it seemed. Not only were they prevented by White Whale Records from using the name of their former-group, which no longer existed, they were also prevented from using their real names. That’s why, and how, Mark and Howard became The Phlorescent Leech and Eddie, which was shortened to Flo & Eddie. That name appealed to me because it’s a pun: A river can flow and eddy.

Flo & Eddie appeared for the first time on a Zappa LP with Chunga’s Revenge.

I want to take you all the way back to the mid-to-late ’70s, before the earth had cooled, or warmed, or the climate had changed, or something.

I no longer lived in Detroit. I now lived in Toronto and worked at the best record store in the city, Round Records on Bloor Street. I was still a Zappa fan, as the Mothers seemed to get uglier and uglier. I naturally followed the Zappa arc of LPs that started with Chunga’s Revenge and ended with the movie 200 Motels, all which featured Flo & Eddie on lead vocals. The entire theme of the Flo and Eddie Mothers’ Years is that “touring can make you crazy” and who would know that better than those two guys who had a hit single on the charts — WITH A BULLET!

Who knows how long Flo & Eddie might have stayed with Zappa had it not been for that disastrous 1971 European tour? After the episode that spawned the song “Smoke on the Water,” the band was stuck in Europe with several more concerts on the tour and all their equipment destroyed by fire. Frank took a vote and the band wanted to continue the tour, even if it meant on borrowed, inferior, equipment. At the very next gig, at the Rainbow, a deranged fan pulled Frank Zappa offstage into the orchestra pit. He sustained terrible injuries, which ended the tour and Flo & Eddie’s participation with Frank Zappa.

However, Flo & Eddie started to release records on their own, which were just as terrific as The Turtles or Mothers records. I started following Flo & Eddie and had several of their records, which is why, when Mark Volman & Howard Kaylan walked into Round Records, I turned to the rest of the staff and said, “They’re all mine!”

Round Records was the last real alternative record store (remember those
black things?) in Toronto. How Flo & Eddie had heard about us I
don’t know, but when they walked in the door I recognized them
immediately. I already knew the broad outline of their entire career up to that point.

So, I just acted cool behind the counter and gave Flo & Eddie about 15 or 20 minutes to browse. I watched them collect more and more records under their arms. The waiting was killing me! When they finally had about 15 or 20 LPs under their arms, I approached and asked if I could help them.

[Approximating and paraphrasing the conversation.]

“We’d like to take these records,” says Mark.

“Okay, I’ll ring them up.”

“No, you don’t understand.  We’d like to take these records.”

Wait!!! What???

They explain how they’ve been hired to give record reviews on a new Cee Bee Cee tee vee show, “90 Minutes Live,” with Peter Gzowski and just want to borrow the records for a day.

Peter Gzowski: A face for radio.

I have to explain this show for ‘Merkins. When CBC decided to launch a program to go up against Johnny Carson (really!) they chose Canada’s most respected RADIO broadcaster, Peter Gzowski. Peter’s radio show was a wonder. Altho’ broadcast across the nation, Gzowski had the warmth and empathy of a man sitting at your kitchen table, talking with the luminaries of the day. His show was a National Conversation, an institution. This Country in the Morning and, later, Morningside were a very big part of the fabric of Canadian society. Nothing like it exists in the U.S. of A.

When Cee Bee Cee tee vee turned to Gzowski to host 90 Minutes Live it turned, as the old joke goes, to someone who truly had a face for radio.  Not that he was ugly or anything, but no matter how much CBC cleaned Gzowski up for the camera, he still came across looking somewhat like a rumpled bed.  90 Minutes Live might have been a great show, if you closed your eyes.

Gzowski eventually went back to radio.

To recap: Flo & Eddie have this gig at The Cee Bee Cee and they want to borrow the records overnight. For some stupid reason I said I had to check with my boss, who was at lunch at the time. However, I guaranteed them that I’d have the records at the studio on Yonge Street by showtime.

My boss thought I was an idiot for not turning over $100.00 of records to Flo & Eddie on nobody’s say-so. No matter because, at the appointed time, I showed up at the CBC studio with a stack of records under my arm. My name was on a guest list. I handed over the LPs and I was shown a place just off-camera to watch the show.

I wish I could remember the records being reviewed. Some of the LPs were highly praised and some were trashed. I cringed as I watched those records that didn’t get the Flo & Eddie Seal of Approval™ get flung across the studio. YIKES! I have to try and sell those tomorrow! I do remember them as being very funny and not letting Peter get a word in edgewise.

At the end of the segment the albums were collected and handed back to me and none’s the wiser.

The show only lasted 2 years, but it became routine for me to take a stack of records to the Cee Bee Cee to get thrown around by Flo & Eddie. And that, kiddies, is how I met Flo & Eddie.

Frank Zappa ► A Musical Appreciation

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Dateline December 4 – On this day in 1971 Frank Zappa and the Mothers of Invention were on stage in Montreax, Switzerland when the casino caught fire. The night was immortalized in Deep Purple’s song “Smoke on the Water.” On the same date 22 years later Frank Zappa died of prostate cancer.

The ugliest LP cover I had ever seen.
I had to own it.

Not to brag, but I was there from the beginning. I discovered Frank Zappa some time in 1966 when I first set eyes on the cover of Freak Out at my local Kresge’s record department. As one descended on the escalator into the basement, a gap opened in the wall revealing Kresge’s 2-rack record department. The farther one descended, more of the record department was revealed in the expanding triangle of the record department. As teens we’d crane our heads into that crack to see what was new each week.

One day in 1966 my eyes spied what was the ugliest record cover I had ever seen. I had to own it.

It was a double-record set in a gatefold cover, among the first for a Rock and Roll LP. The music was also a revelation. One LP was all Doo Wop, but done in a slightly demented style, as opposed to straight up. The other LP contained longer songs and musical collages that were NOTHING like demented Doo Wop, but were demented all the same. I became an instant fan and followed Frank Zappa’s career, like a lemming follows whatever a lemming follows, ever since.

When I signed up I didn’t realize that by the time it was over I’d have collected some 90 albums, many of them double and triple sets, making Frank Zappa one of the most prolific artists/composers/Rock musicians of the 20th Century. However, I wasn’t a fan because he was prolific. I was a fan because he made great music. Here’s just a small taste of what Frank Zappa composed and released. Enjoy.

Happy Birthday Lenny Bruce

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Dateline October 13, 1925 – Leonard Alfred Schneider is born in Mineola, New York. By the time Lenny Bruce died in 1966 he had changed the face of comedy forever. However, more importantly, he changed the face of The First Amendment and Free Speech forever.

“I rode with him in a taxi once,only for a mile and a half. Seemed like it took a couple of months”

– Bob Dylan about Lenny Bruce

Lenny Bruce had many run-ins with the authorities over obscenity in his night club act. According to the WikiWackyWoo:

 On October 4, 1961, Bruce was arrested for obscenity at the Jazz Workshop in San Francisco; he had used the word cocksucker and riffed that “to is a preposition, come is a verb”, that the sexual context of come is so common that it bears no weight, and that if someone hearing it becomes upset, he “probably can’t come”. Although the jury acquitted him, other law enforcement agencies began monitoring his appearances, resulting in frequent arrests under charges of obscenity.

Bruce was arrested again in 1961, in Philadelphia, for drug possession the same year, and again in Los Angeles, California, two years later. The Los Angeles arrest took place in then-unincorporated West Hollywood, and the arresting officer was a young deputy named Sherman Block, who would later become County Sheriff. The specification this time was that the comedian had used the word schmuck, an insulting Yiddish term that is an obscene term for penis.[citation needed]

In April 1964, he appeared twice at the Cafe Au Go Go in Greenwich Village, with undercover police detectives in the audience. On both occasions, he was arrested after leaving the stage, the complaints again pertaining to his use of various obscenities.

A three-judge panel presided over his widely publicized six-month trial, prosecuted by Asst. Manhattan D.A. Richard Kuh, with Bruce and club owner Howard Solomon both found guilty of obscenity on November 4, 1964. The conviction was announced despite positive testimony and petitions of support from – among other artists, writers and educators – Woody Allen, Bob Dylan, Jules Feiffer, Allen Ginsberg, Norman Mailer, William Styron, and James Baldwin, and Manhattan journalist and television personality Dorothy Kilgallen and sociologist Herbert Gans. Bruce was sentenced, on December 21, 1964, to four months in a workhouse; he was set free on bail during the appeals process and died before the appeal was decided. Solomon later saw his conviction overturned; Bruce, who died before the decision, never had his conviction stricken. Bruce later received a full posthumous gubernatorial pardon.

“Lenny Bruce died from an overdose of police”
– Phil Spector

 Much of what Lenny Bruce said is as true today as it was when it came out of his mouth:

Take away the right to say “fuck” and you take away the right to say “fuck the government.”

The only truly anonymous donor is the guy who knocks up your daughter.

If something about the human body disgusts you complain to the manufacturer.

The kind of sickness I wish Time had written about, is that school teachers in Oklahoma get a top annual salary of $4000, while Sammy Davis, Jr. gets $10,000 a week in Vegas.

All my humor is based upon destruction and despair. If the whole world were tranquil, without disease and violence, I’d be standing on the breadline right in back of J. Edgar Hoover.

Every day people are straying away from the church and going back to God. 

 A Jew, in the dictionary, is one who is descended from the ancient tribes of Judea, or one who is regarded as a descendant from that tribe. That’s what it says in the dictionary, but you and I know what a Jew is: One Who Killed Our Lord… there should be a statute of limitations for that crime.

The liberals can understand everything but people who don’t understand them.

Satire is tragedy plus time. You give it enough time, the public, the reviewers will allow you to satirize it. Which is rather ridiculous, when you think about it.

If you’re from New York and you’re Catholic, you’re still Jewish. If you’re from Butte Montana and you’re Jewish, you’re still goyisch. The Air Force is Jewish, the Marine Corps dangerous goyisch. Rye Bread is Jewish, instant potatoes, scary goyisch. Eddie Cantor is goyisch, George Jessel is goyisch-Coleman Hawkins is Jewish.

“Bruce stands up against all limitations on the flesh and spirit, and someday they are going to crush him for it.”
– The New York Post

Some of what Lenny Bruce said is just outright funny:

I won’t say ours was a tough school, but we had our own coroner. We used to write essays like: What I’m going to be if I grow up.

Some of what Lenny Bruce said is just poignant:

I’ll die young, but it’s like kissing God.

This is one of Lenny Bruce’s most famous routines:

“But like all the truly important people in the world, he’s dead but he”ll live on.”
– Ralph J. Gleason

I first learned to love Lenny Bruce when Frank Zappa released The Berkeley Concert on his Straight label. It’s still worth a listen:

Lenny Bruce had a life worth exploring. If you are unfamiliar with his life and troubles with the law, this is a good place to start.

Musical Interlude ► Happy Birthday Harry Nilsson

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Dateline June 15, 1941 – A happy father had a son*, Harry Edward Nilsson III.

There was a time I listed my Top Three artists as Frank Sinatra, Frank Zappa, and Harry Nilsson. Who knew that Sinatra would outlive the other two?

I first learned of Harry Nilsson the same way much of ‘Merka did, when The Beatles name-checked him twice during their ’68 press conference to announce the formation of Apple. Wait! What? Who? The Harry Nilsson Web Pages picks up the story: 

The album came to the attention of the Beatles (through Derek Taylor their press agent). At the press conference to announce the formation of Apple, the Beatles were asked “Who is your favorite American artist?” to which John Lennon replied, “Harry Nilsson.” When asked “What is your favorite American group?” Paul McCartney replied, “Harry Nilsson.”

Harry’s arrangement of “You Can’t Do That” weaves some 20-something other Beatles’ songs in and around the Lennon-McCartney melody.It needs to be heard to know why The Beatles were so knocked out by it.

The great irony of Harry Nilsson’s all-too-short artistic career is that while he is an amazing songwriter, the two songs he is best known for were not written by him: “Without You” was written by two of the members of Badfinger and was originally recorded by that group, while “Everybody’s Talkin'” was written by Fred Neil.

That’s why we’ll start with songs Harry wrote. Here’s a rare version of “Coconut” created for one of his his BBC shows. All vocals are Harry re-recorded specifically for this ‘video’ and the instrumentation is minimalist. to say the least:

Many people have covered Nilsson’s “One.” His version followed by the obscure Chris Clark on the even more obscure Motown subsidiary label Weed, because that’s what this LP was apparently fueled by.

Here is a rare tee vee appearance of Harry’s on The Smother’s Brothers Comedy Hour. Harry was a good friend of The Smothers Bothers, which is why he thought he and John Lennon could heckle them at The Troubadour, but we won’t rehash THAT story. “Think About Your Troubles,” the second song here, is personally one of my favourite Harry Nilsson songs. I like the circular story. I like how it sums up this larger dynamic than the listener and then says, “You  think you’re the center of the universe? Well, I got news for you.” The third song is from the upcoming “The Point” cartoon, which is remembered fondly by many big kids.

Another rarity from his BBC tee vee special is this medley of three covers intertwined, Walk Right Walk, Cathy’s Clown, Let The Good Times Roll all recorded with 3-part harmony done by Harry himself.

Here’s the very obscure Miss Butter’s Lament, written by fellow Canadian Bob Segarini.

When Harry Met John resulted in Pussy Cats, an album that marked the nadir of Harry’s career. Yet there are still some true gems on this LP. Harry makes his ravaged voice work for this incredibly emotional cover of Jimmy Cliff’s Many Rivers To Cross.

I could go on and on, but this makes a good starting point for Harry Nilsson if you are just getting to know him.

*1941, by Harry Nilsson

Happy Birthday Dennis Cowan ► Bonzo Dog Band ► May 6

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The Bonzo Dog Band

Happy Birthday to Dennis Cowan, celebrating the big Six Five today. Dennis was bassist for the Bonzo Dog Band, originally The Bonzo Dog Dada Band, then The Bonzo Dog Doo Dah Band, before finally settling on the name everyone knows and loves.  The Bonzos, as they are affectionately known among fans, were the most influential band you never heard of and almost indescribable, but I’ll try. Cross a smattering of Lawrence Welk, with heavy doses of Spike Jones and his City Slickers, Frank Zappa and The Mothers of Invention, and Weird Al Yankovic and you’d get the Bonzo Dog Band…but Bonzos are funnier.

A little lesson in British comedy: One can draw a very crooked line from the surreal ’50s radio show The Goon Show–from which Peter Sellers sprang–to the anarchy of Monty Python’s Flying Circus. Between the two was the seminal children’s show [sic] Do Not Adjust Your Set. Later-Pythons Eric Idle, Terry Jones, and Michael Palin wrote and starred in this Thames tee vee series. However, people of all ages tuned in to see the antics of The Bonzo Dog Band, which featured today’s Birthday Boy Dennis Cowan on bass.

Here’s some very early Bonzos from Do Not Adjust Your Set:

People know the band Death Cab For Cutie. However, few know that the name is a tribute to the song of the same name that The Bonzo Dog Band performed in Magical Mystery Tour. This tasty little morsel of Doo Wop is one of few highlights in this horrible film that will always be an albatross around Paul McCartney‘s neck:

Neil Innes also came from the Bonzos and he became, almost, an auxiliary member of Monty Python Flying Circus. As told (accurately) by the WikiWackyWoo:

Innes wrote the songs for Monty Python and the Holy Grail. He appeared in the film as a head-bashing monk, the serf crushed by the giant wooden rabbit, and the leader of Sir Robin’s minstrels. He also had a small role in Terry Gilliam‘s Jabberwocky. Because of these long-standing connections, Innes is often referred to as “the Seventh Python”.

And, indeed, a Neil Innes documentary was called The Seventh Python. Innes was also Ron Nasty in The Rutles, which makes him one
of the Pre-Fab Four. But this isn’t about Innes, which would be a fun transgression.

Photo © Barrie Wentzell
L to R: Dennis Cowan, Roger Ruskin
Spear & Rodney Slater 1969
Photo © Barrie Wentzell, who
sells beautiful prints of early
Bonzo Dog Band and more.

The Bonzo Dog Band classic 1967 recording The Intro and the Outro lampooned every band that ever name-checked and introduced the members of the band. Vivian Stanshall voiced the introductions. This song was the inspiration for Mike Oldfileld when he recorded his solo album Tubular Bells, famously used as the theme music for The Exorcist. Oldfield’s long version introduced all the instruments he played, voiced by none other than the very same Vivian Stanshall.

Lastly, for fans of Beatles trivia, like James Rosen of Fox News (who I stumped. That story coming.), here’s a real rarity: The promotional film for I’m The Urban Spaceman. The original recording of Urban Spaceman was produced Apollo C. Vermouth, which was a pseudonym for Paul McCartney. Enjoy.