Tag Archives: Lesley Gore

Happy Birthday Lesley Gore ► Monday Musical Appreciation

On this day in 1946 Lesley Sue Goldstein was born. We knew her better as Lesley Gore.

Discovered by Quincy Jones when she was only 16, Lesley Gore was still in high school when It’s My Party hit the top of the pop charts. Hit after hit followed under the tutelage of producer Jones. However, when she graduated, she chose to go to college, as opposed to pursuing a full-time career in the music biz. She would perform and record on weekends. The WikiWackyWoo picks up the story:

Gore was one of the featured performers in the T.A.M.I. Show concert film, which was recorded and released in 1964 by American International Pictures, and placed in the National Film Registry
in 2006. Gore had one of the longest sets in the film, performing six
songs including “It’s My Party”, “You Don’t Own Me”, and “Judy’s Turn to
Cry”.[13]

Gore performed on two consecutive episodes of the Batman television series (January 19 and 25, 1967), in which she guest-starred as Pussycat, one of Catwoman‘s minions.[1] In the January 19 episode “That Darn Catwoman”, she lip-synched to the Bob Crewe-produced “California Nights”, and in the January 25 episode “Scat! Darn Catwoman” she lip-synched to “Maybe Now”.[11] “California Nights”, which Gore recorded for her 1967 album of the same name, returned her to the upper reaches of the Hot 100.[9]
The single peaked at number 16 in March 1967 (14 weeks on the chart).
It was her first top 40 hit since “My Town, My Guy and Me” in late 1965
and her first top 20 since “Sunshine, Lollipops, and Rainbows”.[1]

Further Reading

Quincy Jones; A National Treasure

It wasn’t until her death last year did much of the world learn she was a Lesbian. Biography takes it from there:

It was also at Sarah Lawrence that Gore realized that she was a
lesbian. Before college, she later explained, she simply had never had
the time to examine her true feelings. “I had boyfriends,” she said. “I
was scheduled to get married … All of that was part of the agenda at
the time … Part of the problem that I had … was being out in the
public. It was hard to even explore it. I wasn’t even left that
opportunity. When I talk to some of my gay women friends now who might
just be a little bit older than me, they would come in from [Long]
Island or New Jersey, and they would put on their black Levis and black
jackets and run to the bars. I wasn’t quite able to do that.”

Though
Gore did not come out as gay until after the heyday of her fame had
passed, she says she never concealed it from the people who were close
to her: “I just tried to live as normally as humanly possible. But as
truthfully as humanly possible.”

Rolling Stone picked up the story for her obituary:

After graduating college in the late Sixties and staying largely out
of the spotlight throughout the Seventies, Gore resurfaced in 1980 when
“Out Here On My Own,” a song she co-wrote with her brother Michael for
the Fame soundtrack, was nominated for a Best Original Song
Academy Award; Michael Gore would instead end up winning the Oscar for
his song “Fame.”

Gore came out to the public when she served as host on a few episodes of the PBS’ LGBT newsmagazine series In the Life. She released her final album Ever Since in 2005.

The Wiki sums it all up:

In a 2005 interview with After Ellen, she stated she was a lesbian and had been in a relationship with luxury jewelry designer Lois Sasson since 1982.[22] At the time of her death, the couple had been together for 33 years.[23] Gore died of lung cancer on February 16, 2015, at the NYU Langone Medical Center in Manhattan, New York City; she was 68 years old.[24][25] Her New York Times obituary described her as a teenage and feminist anthemist.[26] Following her death, Neil Sedaka commented that she was “a phenomenal talent” and “a great songwriter in her own right.”[26]

As we always say here in the Not Now Silly Newsroom, it’s all in the grooves:





Quincy Jones; A National Treasure ► Monday Musical Appreciation

On this day in 1980, which just so happened to be his 47th birthday, Quincy Delight Jones is honoured with a star on the Hollywood Walk of Fame.

Quincy Jones has been making music for more than 60 years. From hanging out with Ray Charles in Seattle before either of them were stars; to conducting and arranging for Frank Sinatra and the Count Basie Orchestra in the ’60s; to discovering and producing Lesley Gore; to his work with Michael Jackson, which broke all sales records; to We Are The World. There’s nothing Quincy Jones has not done.

According to the WikiWackyWoo:

In 1968, Jones and his songwriting partner Bob Russell became the first African Americans to be nominated for an Academy Award for Best Original Song, their “The Eyes of Love” for the Universal Pictures film Banning. That same year, Jones was the first African American to be nominated twice within the same year for an Academy Award for Best Original Score, as he was also nominated for his work on the film In Cold Blood
(1967). In 1971, Jones was the first African American to be named as
the musical director and conductor of the Academy Awards ceremony. In
1995 he was the first African American to receive the Academy’s Jean Hersholt Humanitarian Award. He is tied with sound designer Willie D. Burton as the African American who has been nominated for the most Oscars; each has received seven nominations.

So far Jones has scored 33 movies, starting with The Pawnbroker in 1964:

Following the success of The Pawnbroker, Jones left Mercury Records and moved to Los Angeles. After composing the film scores for Mirage and The Slender Thread in 1965, he was in constant demand as a composer. His film credits over the next seven years included Walk, Don’t Run, The Deadly Affair (both 1966), Banning, In Cold Blood, In the Heat of the Night (all 1967), A Dandy in Aspic, For Love of Ivy, The Hell with Heroes, (all 1968), Mackenna’s Gold, The Italian Job, Bob & Carol & Ted & Alice, The Lost Man, Cactus Flower, John and Mary (all 1969), The Out-of-Towners, They Call Me Mister Tibbs! (both 1970), The Anderson Tapes, $ (both 1971), and The Hot Rock, The New Centurions and The Getaway (all 1972). In addition, he composed “The Streetbeater,” which became familiar as the theme music for the television sitcom Sanford and Son, starring close friend Redd Foxx; he also composed the themes for other TV shows, including Ironside, Banacek, The Bill Cosby Show, the opening episode of Roots, and the Goodson & Todman game show Now You See It.

See? There’s nothing in the field of the music he has not done.

However, to my mind, the greatest album Jones ever released was his Back On The Block CD.

While the whole album is a MUST LISTEN, I’d like to single out two linked tracks. “Jazz Corner Of The World” starts with archival audio of famous Jazz greats talking about the importance of Charlie Parker, Bebop music, and the New York club Birdland. That’s followed by an intense Rap that introduces us — one by one — to all the famous musicians we will be hearing on the next tune. [NO SPOILERS.] We are taken inside the club Birdland just as Quincy Jones segues into a blazing cover of the song Birdland, first recorded by Weather Report and written by Joe Zawinul.

I consider this to be the definitive version of Birdland, with apologies to Joe Zawinul. It never fails to give me goosebumps. All those people on the same track in furtherance of an amazing arrangement. Just listen and marvel:

Jones’ career is far too long and varied to sum up in this little blog post. However, as always, the proof is in the music. Here are just some of the tunes you should know: