Tag Archives: La Bottega

Surprises on the Latest Visit to Charles Avenue

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The Charles Avenue Historical Marker is across the street from the
E.W.F. Stirrup House. Once called Evangelist Street, Charles is one of the
oldest streets in Miami, which is why it was designated a Historic Roadway.

Last week’s visit to Coconut Grove was full of surprises.

Ostensibly I was in The Grove for 2 semi-clandestine meetings with two of my super-duper secret anonymous sources. One wanted to go off the record on the Coconut Grove Playhouse deal. The other was my original tipster on Trolleygate.

However, there were also several loose ends I wanted to clean up concerning the Playhouse parking lots and the two vacant lots on Charles Avenue, immediately across the street from the historic, 120-year old E.W.F. Stirrup House. Despite its cultural and historic significance, the house continues to undergo Demolition By Neglect at the hands of a rapacious developer: Aries Development, controlled by Gino Falsetto.

To bring new readers up to speed: When Miami-Dade County finally carved out a deal which freed the Playhouse from purgatory, it took away the parking lot Paradise Parking, DoublePark and Caribbean Parking had been operating between the Playhouse and the Bicycle Shop. This lot was turned over to the Miami Parking Authority to administer. At the same time, the MPA also leased to Aries Development 45 parking spots immediately behind the Playhouse.

March 25: A lawyer advised this was a crime in the making.
Did these companies also squat on the Playhouse parking lot?

This reporter has been investigating rumours that the Paradise parking group had been squatting on the parking lot land for the last several years. To date, no one has been able to produce a contract that gave
these companies the right to operate a parking franchise on the Playhouse
parking lot.

The last time I visited (March 25) Double Park, Paradise Parking and Caribbean Parking had erected a meter (pictured right) where they were leasing the 45 parking spaces from the MPA. They had no right to erect their own meter because it was not their own lot. It was looking as if they might be squatting again. The meter had not been activated and I needed to see whether they had started collecting potentially illegal parking fees.

Have I mentioned yet how Double Park, LLC is owned by Gino Falsetto, while the other 2 companies are owned by business associates of Falsetto? 

A second, lesser, reason to reconnoiter is that — SURPRISE!!! — lines had finally been painted on this parking lot. The last time I was there I had counted the potential for 57 parking spots, judging from the barely legible lines painted years ago. Counting the spaces and documenting the fact that Paradise Parking, et al, were pocketing parking fees that should have belonged to the MPA would be a great investigative article. Another feather in the Not Now Silly Newscap.

March 25: Detail of sign above right

I had already received a (FREE) legal opinion that squatting on a parking lot and collecting parking fees could be considered a case of theft against every driver who paid up and/or the actual owner of the property. If, as alleged, these three companies had been squatting on the Playhouse land for the past several years, that would be a lot of individual cases of theft. And, whether they squatted or not, these companies were able to rake a lot of parking fees off this parking lot over the last several years.

SURPRISE: The meter had been removed, leaving only the base. Now anyone who wants to park there has to walk a block to the nearest meter — on the far side of the Playhouse — which cannot be viewed from these parking spaces. We’ll see how that works out.

Looking past the empty residential lots to the E.W.F. Stirrup House, the 5-storey
Grove Gardens Residential Condominiums dwarfing the 120-year old house.

To be perfectly honest, I had hoped to catch Paradise Parking in what appeared to be a crime in the making because it’s a company owned by the same rapacious
developer who is allowing the E.W.F. Stirrup House to undergo Demolition by Neglect. That would be Gino Falsetto and Aries Development, which
built The Monstrosity behind the Stirrup House: the Grove Gardens
Residence Condominiums.

It was while I was counting the parking spaces — another SURPRISE: there are only 45, as per the agreement with the MPA — I looked back across the two empty lots to the E.W.F. Stirrup House. The simple 2-storey white and yellow house — designated historic — is completely dwarfed by The Monstrosity, built by the same rapacious developer who owns these 2 empty lots pictured above. There had been two little single family houses on these lots. Aries acquired the lots and knocked the houses down so the property could be used as a construction marshaling yard in order to build The Monstrosity.

Little by little Aries Development has been chipping away at this Historic Roadway. Aside from the 50-year lease on the Stirrup House, Aries now owns the Bicycle Shop, creating bookends on either side of any potential Coconut Grove Playhouse development.

As I continued taking pictures of Charles Avenue I walked from the vantage point shown above back to the E.W.F. Stirrup House, where I met a curious stranger.

THE BIGGEST SURPRISE OF ALL!!!

I was almost back at my car when I saw a woman walking across the Stirrup property towards me. The only people I’ve ever seen on that property were workmen. A red-headed, middle-aged woman in a dress was A SURPRISE, which is why I walked towards her. We met at the gate to the Stirrup property and had a heavily accented conversation after she demanded to know why I was taking pictures of her property.

Pictured: The scene of the conversation.
I didn’t take her picture.

Several times she asserted it was her property. I let the fib go because I know the history of the property better than my own family tree. It’s owned by Stirrup Properties, LLC, a company headed by 2 of the grandchildren of the original owner, E.W.F. Stirrup. A 50-year lease is held by Aries Development, which has been allowing this historic 120-year old house to undergo Demolition by Neglect. I’m pretty sure that this woman is not Aries Development Group.

Our conversation went something like this:

MF: [Accented English]: Why you take pictures?
ME: I’ve taken a lot of pictures of this building. I come here every few days and take pictures of this house. I have thousands of pictures of this house.
MF: Why you take so many pictures?
ME: I’m interested in the history of the house. It’s a famous house. This is the oldest house on the street. The second oldest house in Miami.
MF: I know. You work for newspaper?
ME: No. I have a blog.
MF: What’s your name?
ME: Headly Westerfield. [This elicited no reaction whatsoever.] What’s your name?
MF: Magda Falsetto.
ME: [Falsetto?!?! DING! DING! DING! My notebook has been in my hand all this time, so I start scribbling notes of the rest of our conversation.] M-A-G-D-A?

I was so surprised that it wasn’t until later that I realized I didn’t ask the obvious question: “Are you related to Gino Falsetto?” DOH!

MF: Yes. This is my property.
ME: So why don’t you fix up this house? This house has been empty for 8 years.
MF: Longer!
ME: Longer? Then why don’t you fix it up?
MF: It takes long time to get permits from city.
ME: You’ve had more than 8 years.
MF: It takes long time to get permits. Is problem at city.

April 4, 2014: La Bottega advertises. It has no permits
to move the Farmers Market to the Stirrup Property.

ME: Didn’t there used to be a wall there? Where did it go? [Indicates the back of the Stirrup property where a wall once separated it from La Bottega, a restaurant on the ground floor of The Monstrosity. La Bottega has started advertising the Farmer’s Market moving there beginning on the 27th of April.]
MF: We are making a garden to bring tables out here.
ME: On this property? From the restaurant?
MF: Yes. It will be beautiful garden.
ME: Don’t you think you should fix the house first? It’s an construction zone. The house looks terrible.
MF: It takes long time to get permits from city.

NO SURPRISE: She repeated this “long time to get permits from the city” sentiment about 7 times because I kept circling back to asking why the house wasn’t fixed already. One cannot get permits from the city if one has not submitted plans. The last time I checked no plans had ever been submitted to the city by Aries to renovate the E.W.F. Stirrup House.

TO BE FAIR: That was a whole 2 months ago, during the Great Tree Massacre of ’14.

Aries will need to submit up plans before it can be issued permits to renovate the E.W.F. Stirrup House. It will also have to apply for a retroactive permit for landscaping and  destroying the trees on the Stirrup property. So far Aries has gotten away with having no permit for the destruction of the cinder block wall. Will it also try to get away with moving restaurant and bar seating onto the Stirrup property? Will it even try to obtain the proper permits to move the Farmer’s Market to the Stirrup property?

It’s not like Aries Development has even tried to be a good Coconut Grove neighbour, so why should it be trusted now?

IRONY ALERT: Gino Falsetto and Aries Development is on the Charles Avenue Historic Preservation Committee. More than a year ago I attended a meeting where Aries assured the Preservation Committee that it was going to fix up the Stirrup House right away. In that time Aries has only caused more destruction to the house and the property.

But, who knows? I might be surprised. Aries may finally do things legally.

Who am I kidding? I’ll have to keep an eye on them.

Why is E.W.F. Stirrup so important to Coconut Grove?
Read: Happy Birthday Coconut Grove!!!
Now Honour Your Past

The Coconut Grove Playhouse Deal Begins to Unfold

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The removal of the old growth trees on the E.W.F. Stirrup property was only one in a series of chess moves made virtually simultaneously as the Coconut Grove Playhouse deal begins to unfold.

On January 15th Aries Development took possession of the Bicycle Shop, that small, two story structure sitting at the northeast corner of the Playhouse parking lot. Aries was ‘gifted’ this property (and $15,000) to relinquish all claims on the Playhouse. The mystery had always been why this building had been put into play in order to settle the outstanding issues necessary to restore and reopen the Playhouse.

Sources tell Not Now Silly that when the now defunct Playhouse board accepted the loan from Aries years ago, it put up the Bicycle Shop as collateral. That’s how Aries came to hold the note on the Bicycle Shop; why it was in play already; and why it may have just been easier to give Aries this bone, than to have it continue to scuttle every deal to bring the Playhouse back to its former glory.

[One of these days I will actually discover how much money Aries loaned the defunct Playhouse board. That’s just another one of those pesky details that has remained concealed by all the boardroom and backroom machinations. These took place far away from the prying eyes of Florida’s strict Sunshine Laws. In other words: There’s so much about this deal we know nothing about and peeling back the onion has been a chore.]

The funny thing about Aries getting possession of the Bicycle Shop is that the building had already been condemned. The City of Miami loaded the property up with violation after violation, until it decided that it was an unsafe structure that had to be removed. However, that was something of a chess move on the part of the city in order to get a seat at the table. Because Miami-Dade County was running the Playhouse negotiations, the City of Miami would have been frozen out entirely. Having these tens of thousand of dollars in fines levied against the property gave the City of Miami a buy-in at this High Stakes table. When eventually the poker game was played to untangle the financial mess the Playhouse had become, holding cards were the state of Florida, which had to sign off on any deal; Miami–Dade County; the City of Miami; Aries Development; GableStage; FIU; and the former-Playhouse board, or what was left of it. Not seated at the table: Any representative from the community being served. In short: The taxpayers and neighbourhood stakeholders.

One of dozens of pictures taken inside the construction
zone. It seems fitting the floor looks like a chess board.

Regardless, once Miami was satisfied with the deal, the city pushed in all its chips and folded its hand. It wiped clean the condemned Bicycle Shop’s slate of all fines and deeded it to over to the marauding Aries Development Group. Consequently, Aries needed to act quickly, before new citations and violations start piling up against the building. To that end, it has already removed the roof from the Bicycle Shop.

Unfortunately for Aries Development that’s all that was done, creating a brand new problem for Gino Falsetto’s company. The demolition crew neglected to fence in the destruction site, [allegedly] breaking several city by-laws in the process. It’s currently open to the public for private tours. Anyone can wander in and out of the building, as this reporter did on Tuesday, February 25th. As well, Not Now Silly
has not been able to locate a demolition permit, nor does there appear
to be a permit for having a dumpster on the property. Aries is certainly
keeping Bylaw Enforcement busy this week.

See a photo album, inside and outside, of [alleged]
violations at the Bicycle Shop on February 25, 2014.
View videos of the unprotected construction zone:

Word is that Gino Falsetto wants to put a small restaurant in this building, but it would have to be a VERY small eatery. There’s not much one can do with 1600 square feet. That’s barely big enough for a small coffee shop. Restaurant, coffee shop, art gallery? Whatever Aries wants to do with this property is going to require permits and telling Not Now Silly that it’s all “in the pipeline” just doesn’t cut it. The laws are quite specific to demolition and this week Aries Development has already demolished a wall at the E.W.F. Stirrup House without a permit, hacked 4 old growth tress to the ground without a permit and is now running this unsafe destruction site without a permit — and without sealing it off from the public!!!

However, turning the Bicycle Shop into a restaurant makes sense because that’s another cash business. Gino Falsetto [allegedly] learned how lucrative restaurants can be when he (and his brothers) bankrupted four of them in the Ottawa, Ontario, Canada, area. When the government finally moved in to seize the assets (cash in the till and the cutlery, essentially), Canadians lost an estimated $1,000,000.00 in unpaid taxes. However, that’s chump change compared to what Falsetto’s investors lost. That figure is estimated to be upwards of ten million dollars. And then, next thing you know, Gino Falsetto has enough resources after his business went bankrupt to buy his way into the hot Miami real estate market.

Of course, it has to be said, that there are many honest and reputable restaurant owners. In fact, the vast majority are. However, that doesn’t mean that restaurant ownership has not been known as a source of illegal profit skimming. Just sayin’.

This sign is supposedly gone on March 1st

Speaking of cash businesses, that brings us to the Playhouse parking lot. On March 1st the Miami Parking Authority (MPA) will take over control of the Playhouse parking lot. On February 25th the new signage was being erected. However, most of the old signs hadn’t been removed yet.

Who had the parking concession until now?

Double Park, Paradise Parking, and Caribbean Parking. Bring Truth To Light has written extensively about Gino Falsetto; his several various partners in several various companies; Aries Development Group; shady Coconut Grove real estate deals; and this particular parking lot. It’s worth quoting extensively:

Double Park LLC

Behind the mess created by Aries is one of the new MPA signs

Gino Falsetto founded Double Park LLC on July 12, 2004 and filed his Florida limited liability company with the Florida Department of State, Division of Corporations. The company’s FEI/EIN number is 861112258. The address is The Grand, 1717 N Bayshore Drive, Suite 102, Miami, FL 33132. Falsetto is the company’s sole manager and registered agent.


In 2006, Mitchell Liss took over as manager and Anthony Petropoulos became registered agent.


In 2007, the company moved to Suite 201 on the second floor in The Hilton Doubletree Grand condominium.


In 2009, Mitchell Liss also took on the role of registered agent.


The incredulous real estate promoter presents a big plan that arouses excitement. The Miami Herald reported Gino Falsetto “floated a last-minute, $55 million-plus proposal to build a new, 600-seat theater behind the historic façade, and add retail and residential buildings as well as an underground parking garage.”


In yet another Miami Herald article Jorge Luis Lopez, a Playhouse board member, was quoted to call Falsetto’s Aries company “a deadbeat squatter,” characterizing Falsetto’s relationship with the Playhouse’s board of directors.

Paradise Parking Systems LLC

Mitchell Liss founded Paradise Parking Systems LLC on December 19, 2005 and filed his Florida limited liability company with the Florida Department of State, Division of Corporations. The company’s FEI/EIN number is 204281994. The address is 19810 West Dixie Highway, N Miami Beach, FL 33180. Liss is the company’s sole manager and registered agent.


In 2007, Anthony Petropoulos became the registered agent and the company’s new address is Suite 201 at The Grand.


In 2009, Mitchell Liss also took on the role of registered agent.

Caribbean Parking Systems Inc


John Battaglia founded Caribbean Parking Systems Inc on February 25, 2002 and filed his Florida profit corporation with the Florida Department of State, Division of Corporations. The company’s FEI/EIN number is 270077530. The address is 2874 NE 191 Street, Suite 304, Aventura, FL 33180. Battaglia is the company’s sole director and Robert Stok is the registered agent.

In 2007, Mitchell Liss became the company’s sole director, president, and registered agent. The company’s new address is Suite 201 at The Grand.

Miami Parking Authority CEO Art Norieaga addresses
the Coconut Grove Village Council on February 25, 2014

Bring Truth To Light has also called on the government to investigate how
these three companies came to squat on the Playhouse parking lot, how long they have claimed the concession, and whether it had benefit of a contract with the Playhouse board. Coconut Grove has a shortage of parking, so during some Special Events, this parking lot was filled.

Every company pie that Gino Falsetto has his fingers into is always a
complicated rabbit warren of other companies and fronts. But, I digress.

Not only did these three companies collect the fees from this parking lot, but also had cars booted and/or towed for parking on this lot and not paying. If it’s true, as it’s beginning to appear, that Double Park, Paradise Parking, and Caribbean Parking had no authority to do so, every tow from that lot was an organized crime against the car’s owner. How many people using that parking lot were scammed by these three companies?

With Aries losing its precious parking lot tomorrow, how will it remain in that cash business, especially since his restaurants on the ground floor of The Monstrosity known as the Grove Gardens Residence Condominiums advertise Valet Parking? A partial answer was given at the latest Coconut Grove Village Council meeting on February 25th. Art Noriega of the Miami Parking Authority gave a presentation on all Coconut Grove parking lots, including the Playhouse parking issues being investigated by Bring Truth to Light and Now Now Silly. He told the assembled that the city made an accommodation with Aries for Valet Parking. It was a such a quick reference, this reporter was not sure that they heard the proper context for the remark.

45 spaces in that oddly shaped area are to be rented by Aries Group

Contacted by phone after the meeting, Noriega elaborated, confirming to Not Now Silly that Aries will be renting 45 parking spaces from the city, at $45 a month, for a total of $2,025. [At $6.00 a car, Aries will have to turn each space over 7.5 times in a month to break even.] These spaces are apparently not any of those between the north end of the Playhouse and the south end of the Bicycle Shop. The parking spaces being rented from the city by Aries are those on the paved area immediately to the west of the Playhouse (in the irregular shape in the Earth View on the right). The Valet Parking arrangement with the city is on a month-to-month basis and, certainly, when (if?) the Playhouse property becomes a renovation zone, Aries won’t be able to Valet Park there.

Which brings us to the last 3 properties that Aries is known to control on Charles Avenue: the two vacant lots on the north of Charles Avenue, which are owned by a shell company owned by Gino Falsetto; and the E.W.F. Stirrup property, which Aries controls through a 50-year lease with the Stirrup Family, the owners of record on the house. Last week the Stirrups were cited for the destroying 4 old growth trees on the Stirrup property, even though the destruction was wrought by Gino Falsetto’s Aries Development. Aries also cut down 3 trees on the vacant lots across the street and demolished the wall separating The Monstrosity from the E.W.F. Stirrup House.

All of this wanton destruction was done without benefit of the proper permit(s). The city levied fines of $1,000 per tree and Aries will have to plant 2 trees for every tree destroyed, but the damage is already done and only time will bring back century old trees.

The Monstrosity, aka Grove Gardens Residence Condominiums, was built by
rapacious developer Aries Group.That 5-story wall (on the right) dwarfs the
understated 2-story 120-year old E.W.F. Stirrup House that the same marauding
developer has allowed to undergo Demolition by Neglect for the past 8 years.

While there are no plans on file with the city — or the Historical Preservation Board, for that matter — Not Now Silly has been told they are “in the pipeline,” whatever that means. In practice it means that Gino Falsetto is holding his cards very close to his vest, [allegedly] breaking all kinds of city By-Laws which require permits and plans before work commences, not after. Coconut Grove won’t know his hole cards, until he’s ready to play his hand. In other words: People will learn of his plans when he’s damned good and ready to reveal them, even if it can’t be fixed, like the trees.

So, what’s the plan for these last properties. Everything beyond this point is mere speculation and rumour, based upon keen observation and unconfirmed tips from anonymous sources:

Demolishing the wall is the first step for Aries Group to expand the restaurant/bar/wine bar seating at The Monstrosity into the Stirrup property. However, one would think the first steps would be the demolition permit, not to mention a permit to change the seating in the restaurants and another permit to alter the capacity on the various bar licenses [Taruus, La Bottega, etc.] in The Monstrosity. There are several carts that have been put before the horse. But at least those pesky old growth trees are no longer in the way, right?

However, since that work has already commenced, I sure hope the city of Miami Code Enforcement officers continue watching.

What else? At least one of those lots on the north side of Charles Avenue is being eyed by Aries as a “flat parking lot” in the future, according to my source. It was also cleared of vegetation last week in the Great Miami Tree Massacre™. This makes sense since Aries was forced to cash in its chips on the Playhouse parking lot and will lose its seat at the table if and when the Playhouse ever gets restored.

However, it makes sense for Aries to try and get this approved as a parking lot. If Falsetto ever gets plans approved to renovate the historic site of the
E.W.F. Stirrup House into a Bed and Breakfast and outdoor restaurant (according to other sources), it will
need additional parking facilities for their rich customers. Especially when it loses the 45 spaces behind the Playhouse. However, my source tells me that’s an impossibility. The current zoning
prevents that. The fact that Charles Avenue was a designated a Historic Roadway should also prevent that from ever becoming a parking lot.

Furthermore, several neighbours from several houses along Charles Avenue (who spoke to Not Now Silly on the condition of anonymity) are so angry at the destruction of the trees that they’ve vowed to watch developments on the Stirrup property very carefully from now on. All of them had questions about the E.W.F. Stirrup House because they were full of misinformation. That lack of concrete information allows Falsetto to bluff his way though the game.

The metaphors in this blog post are mixed. Is it a chess game or is this a High Stakes poker game? To Miami and Miami-Dade county it’s been a poker game, where every hand is a new hand. Gino Falsetto is playing a longer game, chess, going for the checkmate. Long before anyone realized what he had done he swallowed up all the property surrounding the E.W.F. Stirrup House and the Coconut Grove Playhouse. He always seems to be several moves ahead of everybody else. Hopefully, not the sheriff, because the more I investigate Gino Falsetto and his business ethics, the more I am convinced he belongs in jail.

Join the Facebook group Save the E.W.F. Stirrup House for updates.

Unpacking Coconut Grove ► Part Eight ► The Powers That Be

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The Charles Avenue Historical Marker with
the E.W.F. Stirrup House in the background.

My quest to save the E.W.F. Stirrup House, and my running headlong into the Powers That Be in Coconut Grove and the City of Miami, began a few years back when I first happened across the Charles Avenue Historical Marker. I had never been in Coconut Grove before and, since I’ve always been a sucker for history and historical markers, I stopped to read it. It was by sheer coincidence (or total synchronicity) that on the day I discovered the marker detailing the oldest Black community in on the Florida mainland, I was also reading “Sundown Towns: A Hidden Dimension of American Racism” by James W. Loewen. Lowen has written an amazing book of more than 650 pages, which goes to great lengths to explain why every ‘Merkin city looks the way it does.

The broken base of the marker
with garbage piled all around

On the day I discovered the Charles Avenue Historical Marker it was leaning backwards against a fence because the base was broken. However, I didn’t even know the base was broken on my first visit because of the garbage bags piled up all around it. Maybe it was the book I was reading, or maybe because I have studied race relations most of my adult life, but I knew INSTINCTIVELY that the reason the marker leaned and the reason it had garbage piled up all around the base, was due to Institutional Racism. Nothing in my subsequent research has disabused me of that notion. The Charles Avenue Historical Marker, and treatment of the E.W.F Stirrup House, seems to me to encapsulate the Black experience in ‘Merka.

It was only after I took in the sign did I look across the street and, for the first time, saw the beautiful, historic 120-year old E.W.F. Stirrup House (pictured below). When I saw that house in 2009, empty and being allowed to rot, I started my research. It was all that subsequent research that led to my campaign to save this house.

The saddest marker I have ever read.

As I said, I love historical markers. Word of warning: Never travel with me because if I see a sign that points towards an historical marker, I’ll detour from the main route just to see it. I have seen hundreds of historical markers in my lifetime, but the saddest one I’ve ever seen is one in my home town of Detroit commemorating where Paradise Valley once stood. To quote Joni Mitchell: “Don’t it always seem to go that you don’t know what you’ve got ’til it’s gone. They paved paradise and put up a parking lot.”

While Joni Mitchell once lived in Detroit [where I met her at “The Castle,” the apartment on the east side that she shared with her then-husband Chuck Mitchell, but that’s another story], I doubt she was singing about Detroit’s Paradise Valley. Yet, the words apply to Paradise Valley better than anywhere else. An entire neighbourhood was razed in the name of progress and not a single building remains. Imagine that. A vibrant Black business district was destroyed for freeways under the guise of urban renewal. However, let’s not sugar coat it: This would have never happened to a thriving White neighbourhood. White folk would have had enough clout to have stopped it or have had the plans modified.

[I’ve touched upon the topic of Paradise Valley briefly in my two posts about the Detroit Riots.]

There was once a plan floated to tear down most of Black Coconut Grove in the name of Urban Renewal. In the 1950s the City of Miami considered the neighbourhood blighted. Compared to other houses in the area, the houses in Black Coconut Grove were somewhat ramshackled. However, that tended to be a function of the relative poverty of the residents, when compared to White incomes in the area, and the fact that many of the homes had been in the same family for several generations. Furthermore, whereas all the surrounding neighbourhoods had running water and sewers, Black Coconut Grove still used hand pumps and outhouses — in the ”50s!!! People who lived in the area at the time have told me about the “honey wagon” that was just a way of life on Charles Avenue back then. Why would all the White neighbourhoods in the area have the amenities denied to Black Coconut Grove? I’ll let you answer that for yourself.

Had this been Detroit it’s possible the neighbourhood would have come down just like Miami city planners wanted. However, what saved the neighbourhood was E.W.F. Stirrup’s foresight. Back in the 1890s, when he was one of the largest landholders in the area, he had this crazy idea that home ownership was important for growing Black families. According to Kate Stirrup Dean, Stirrup’s eldest daughter:

Father believed in every family having a house, a yard and a garden, so you would feel like you had a home. He felt that people became better citizens when they owned their own homes.

The 120-year old E.W.F. Stirrup House, the showplace
Ebenezer Stirrup built for himself that once looked out
over his estate, which included most of downtown
Coconut Grove at one point.

To that end E.W.F. Stirrup built with his own hands, and with help from his neighbours, more than 100 houses in the area. This is why Coconut Grove, at one time, had a larger percentage of Black home ownership than any other place in the United States. It was that high percentage of Black home ownership that saved Black Coconut Grove. People simply refused to sell out at the cut-rate prices the city was offering. These were the houses passed from one generation to the next, the way that some families hand down precious family jewels.

Eventually the City of Miami was forced to put in sewers and running water. However, as much as some things change, some things never change. Institutional Racism has kept Black Coconut Grove in a bit of a time warp. While the 33133 Zip Code is now considered one of the most exclusive in the entire country, Black Coconut Grove has languished. This being the United States, Black income has always been less than their White counterparts — an undeniable truth — as have opportunities for Black folk. While other areas of Coconut Grove have thrived, Black Coconut Grove did not. Nothing represents that better than the E.W.F. Stirrup House, allowed to rot away at the end of Charles Avenue. And that’s where the Powers That Be mentioned in the first paragraph comes in.

The Powers That Be

Ever since I started making noise with this series, people I trust have told I am messing with dark forces far more powerful than little old me. People have told me that I am screwing with the power structure in Coconut Grove. People have told me that the City of Miami is one of the most corrupt in the nation. People have told me that Commissioner Marc Sarnoff has always been in the pocket of developers and runs his own district like a minor Fiefdom. People have told me that developers make the decisions and the Commission just rubber stamps them. People have pointed to the story of Konstantinos “Gus” Boulis as a cautionary tale of what can happen to someone who gets in the way of someone’s multi-million dollar deal here in South Florida. [My Canadian family and friends are aware of Gus Boulis, even if they don’t know his name.]

What do I know? I am still making noise, but now I’m watching my back very carefully.

The other night two facebook status updates crossed my screen simultaneously. Take a look at the unedited screen grab I captured:

Unedited screen grab. Nothing comes between the Coconut Grove Chamber of
Commerce and the owners of the Calamari Restaurant, both literally and figuratively.
The Grove Gardens Condominium Residences with Calamari,
La Bottega restaurants and Taurus Bar on the ground floor.

Does Gino Falsetto own and/or control the Coconut Grove Chamber of Commerce? They appear to move in lockstep, as evidenced by those messages sent out virtually simultaneously. It would make sense because Gino Falsetto appears to own, or control, almost everything else in Coconut Grove, at least that which can be seen from the corner of Charles Avenue and Main Highway. You see, Calamari is owned, in part or full, by Gino Falsetto, whom I have documented elsewhere in this series. He also owns, in whole or in part, La Bottega Restaurant, the Taurus Bar, and the Grove Gardens Condominiums Residences, all of which share the same plot of land. Falsetto, who left Canadian taxpayers on the hook after a string of restaurant bankruptcies in Canada before he high-tailed it to Miami, also controls the Coconut Grove Playhouse by virtue of a loan he made to the Playhouse board when the board was still thought viable. Because of that financial interest he has scuttled several potential deals to return the Coconut Grove Playhouse to the City of Miami. He is also said to be the owner, through a series of shell companies, of the two vacant lots immediately behind the Coconut Grove Playhouse, which are immediately across Charles Avenue from the E.W.F. Stirrup House. Falsetto’s Aries development company also controls the E.W.F. Stirrup House with a 50-year lease. It would appear in one way or another Gino Falsetto has almost all the properties surrounding the E.W.F. Stirrup House all sewed up.

How much power can one man have? I am beginning to think Gino Falsetto has the City of Miami Building Department all sewn up as well. On the 17th of August I reported to the City of Miami Building Department that demolition work was proceeding within the E.W.F. Stirrup House without the benefit of a Building Permit. Several phone calls later I have confirmed the case was closed without any notation of the resolution of the complaint. I have now been told twice that a lack of notation is very unusual and contrary to City of Miami policy. Many phone messages left with various people within the City of Miami Building Department have gone unanswered. The last time I phoned, on August 30th, while I was still on the phone a City of Miami employee sent an email to the Building Department requesting that they finally return my phone calls and let me know how my complaint was resolved. I am still waiting for that return phone call. I still do not know why my complaint was closed. Anyone is welcome to find out the determination of complaint #1200243103. Let me know if you have any success.

Meanwhile, I am also still waiting for a response to my email to the City of Miami’s Press Relations Department sent on August 10. Having had no reply, and not being able to get a single human on the phone, nor having any of my many messages returned, I published it as an Open Email to the City of Miami. That has still brought no results.

The historical marker that started it all.

Gina Falsetto is clearly a powerful force in Coconut Grove and, hence, the City of Miami. Not a single phone call, email, or public plea I have made has resulted in a response of any kind. Meanwhile, Gino Falsetto continues to wreak havoc on the E.W.F. Stirrup House in his attempt to turn it into a Bed and Breakfast without benefit of the proper building permits and without the Commercial Zoning required for such a business. After the (alleged) rapacious developer Gino Falsetto is done with the E.W.F. Stirrup House, all that may be left to honour the large and culturally rich Bahamian community that once existed in Coconut Grove might be an historical marker.

Everybody sing along with Joni Mitchell as you read all the parts of this ongoing series, Unpacking Coconut Grove:

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