Tag Archives: Miles Davis

Headlines Du Jour ► Tuesday, May 26, 2015

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Heya, Headliners! Today’s birthday belongs to Jazz artist Miles Davis. Here are some other Headlines Du Jour of yesteryear:

Here is today’s Headlines Du Jour:

LGBT NEWS:

SO GLAD WE’RE LIVING IN A POST-RACIAL SOCIETY:

TODAY IN CLIMATE CHANGE:

GIMME THAT OLD TIME RELIGION:

FREE THE WEED!!!

Woman fights medical marijuana firing
Case exposes paucity of guidelines for workers and bosses, lawyers say

OUR ROBOT OVERLORDS:

HACK ATTACKS:

ANOTHER EXCITING EPISODE OF COPS GONE WILD:

FOX “NEWS” IN THE NEWS AGAIN:

IN INNER SPACE:

IN OUTER SPACE:

VIDEOS DU JOUR:

Headlines Du Jour is a leisure-time activity of Not Now Silly, home of the
Steam-Powered Word-0-Matic, and your rest stop on the Information
Highway. Use our valuable bandwidth to post your news comments in
today’s open thread.

Musical Appreciation ► Thelonious Monk ► A Jazz Great

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Dateline October 10, 1917 – Thelonious Sphere Monk is born in Rocky Mount, North Carolina. When he was 4 years old his family would move to the “San Juan Hill” area of Manhattan. A year later he would start playing piano after listening to his sister’s music lessons. By the time of his death in 1982, he would be one of only 5 Jazz artists to appear on the cover of Time Magazine (the others being Louis Armstrong, Duke Ellington, Wynton Marsalis and Dave Brubeck). Today he’s generally considered The Father of Bebop music.

According to The Monk Zone:

With the arrival Thelonious Sphere Monk, modern music — let alone modern culture — simply hasn’t been the same. Recognized as one of the most inventive pianists of any musical genre, Monk achieved a startlingly original sound that even his most devoted followers have been unable to successfully imitate. His musical vision was both ahead of its time and deeply rooted in tradition, spanning the entire history of the music from the “stride” masters of James P. Johnson and Willie “the Lion” Smith to the tonal freedom and kinetics of the “avant garde.” And he shares with Edward “Duke” Ellington the distinction of being one of the century’s greatest American composers. At the same time, his commitment to originality in all aspects of life — in fashion, in his creative use of language and economy of words, in his biting humor, even in the way he danced away from the piano — has led fans and detractors alike to call him “eccentric,” “mad” or even “taciturn.” Consequently, Monk has become perhaps the most talked about and least understood artist in the history of jazz.

The WikiWackyWoo says, “Monk is the second-most recorded jazz composer after Duke Ellington, which is particularly remarkable as Ellington composed over 1,000 songs while Monk wrote about 70.“

It wasn’t just his own compositions. When Monk covered another artists’ song, he had a way of turning it inside out and creating his lovely dissonance, where it none had before.

Clint Eastwood, when he’s not berating empty chairs, is a great aficionado of Jazz. He produced this 1988 documentary, directed by Charlotte Zwerin that can say far more than I can:

If that has whetted your appetite, here’s a Thelonious Monk Jukebox I put together:


Enjoy!

A Musical Appreciation ► Louis Armstrong

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Dateline August 4, 1901 – A Black boy is born into a world of extreme poverty and Jim Crow laws in New Orleans, Louisiana. By the time Louis Armstrong died in 1971, in Queens, New York, he was one of the most recognizable musicians on the planet. Along the way he entertained millions and became one of the greatest performers in all of Jazz. However, that’s just the tip of the iceberg.

While I’ve been a fan of Louis Armstrong for many years, I became a huge fan all over again by what Jazz historian Gary Giddins said in Ken Burns’ (amazing multi-part) Jazz documentary. Giddins was asked whether Armstrong was a genius. Giddins replied (paraphrasing), “We tend to throw the word ‘genius’ around. However, if by ‘genius’ you mean that after him nothing was ever the same again, then by that measure Louis Armstrong was a genius.”

“You can’t play anything on a horn that Louis hasn’t played”
~~~~~Miles Davis

It was Louis Armstrong’s praise of Bing Crosby talents that made me reassess everything I ever thought about Der Bingle. Here they are together in one of my favourite Louis Armstrong clips, a terrific Cole Porter tune from the movie High Society:

“What was the greatest band of the 20th century? Forget the Beatles – it was Louis Armstrong’s Hot Five and its subsequent incarnation, the Hot Seven… these bands altered the course of popular music.”
~~~~~Playboy magazine

 There are two things that have always impressed me about Louis Armstrong and neither have to do with his music.

Armstrong being fitted by Toronto’s world famous hatter Sam Taft

1). In the mid-’40s, when he was just starting to make some really good money, he bought a house on 107th Street in Corona, Queens, NYC. He lived there the rest of his life, long after he could have afforded to move to better and more expensive digs. When he wasn’t touring he was known for sitting on his porch and greeting the neighbourhood kids, who all called him Pops, and giving them apples and unconditional love. That house was made a National Historical Landmark in 1977 and is now the Louis Armstrong House and Museum.

2). During his lifetime Armstrong was criticized for being an Uncle Tom for playing to segregated audiences, accepting the title “King of the Zulus” in the 1949 Mardi Gras parade, and not doing more for ‘his people.’ Billie Holliday was even quoted as saying, “Of course Pops toms, but he toms from the heart.” Aside from the fact that being named King of the Zulus was a singular New Orleans honour misunderstood elsehwre in the country, when Louis Armstrong made his views on race relations known, the entire world listened.

In 1957, during the desegregation controversy in Little Rock, Arkansas, Arstrong sppoke out loud and clear. He called President Eisenhower “gutless” and “two-faced” for sitting on his hands and doing nothing. And, to put his money where his mouth was, Armstrong cancelled a tour of the Soviet Union he was about to do on behalf of the State Department. Uncle Tom would never have said, “The way they’re treating my people in the South, the government can go to hell.”

“Louis Armstrong is the master of the jazz solo. He became the beacon, the light in the tower, that helped the rest of us navigate the tricky waters of jazz improvisation.”
~~~~~Ellis Marsalis

Louis  Armstrong also helped change Jazz singing. He wasn’t the first to Scat, but he helped popularize the genre with his joyful Scat singing, which was as revolutionary as is trumpet playing.

As for honous: 

  • When his version of “Hello Dolly” knocked The Beatles off the top of the charts in 1964, he became the oldest person to have a #1 hit on the Billboard charts; 
  • The Rock and Roll Hall of Fame listed his 1928 version of “West End Blues” as one of 500 songs that shaped Rock and Roll;
  • On what would have been his 100th birthday New Orleans renamed its airport Louis Armstrong International Airport; 
  • Also on his centenery the United States Postal Service put Armstrong on a First Class stamp;
  • He was given a postumous Lifetime Grammy Award in 1972;
  • Eleven of his songs have been inducted into the Grammy Hall of Fame;
  • President Richard Nixon released a statement upon Armstrong’s death calling him Mr. Jazz. 

“I’m proud to acknowledge my debt to the ‘Reverend Satchelmouth’ … He is the beginning and the end of music in America”
~~~~~Bing Crosby

However, it’s always been about the music. Louis Armstrong recorded hundreds, maybe thousands, of sides in his lifetime. Here is just a small sample of what made Louis Armstrong one of the greatest musicians ever.

“If you don’t like Louis Armstrong, you don’t know how to love”
~~~~~Mahalia Jackson

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