Tag Archives: Musical Interlude

R.I.P. ► Lloyd Brevett ► Skatalites Bassist

Jamaica mourns one of her native sons in the passing of Lloyd Brevett, original bassist for The Skatalites, at the age of 80. Brevett was there at the beginning. It is not hyperbole to say that The Skatalites were one of the most influential bands ever, and not just in the narrow genre of Ska. Ask anybody who knows. No less an authority on Ska Music than the New York Times noted: 
Mr. Brevett, a trained jazz bassist, was an original member of the
Skatalites, which was formed in 1964 during the evolution of Jamaican
music from American-influenced rhythm and blues and jazz to the
homegrown syncopated style known as ska, the precursor of reggae, rock
steady and dub. The band members were also active as studio musicians
and backed up the Wailers and other groups.
The Skatalites broke up in the mid-1960s but regrouped in New York 20
years later. Two of their albums, “Hi-Bop Ska!” and “Greetings From
Skamania,” were nominated for Grammy Awards in the 1990s. 

Not just anyone rates a NYT’s obit. Or condolences from a former Jamaincan Prime Minister, who just happened to be Brevett’s tour manager way back when.  According to David McFadden of the Associated Press:
Former Prime Minister P.J. Patterson, who was
once a tour manager for The Skatalites, said that while the band’s great
horn section often drew most of the accolades, it was “Brevett who
quietly provided the mesmerizing backbone to the Skatalites’ sound.”

“To say that Brevett was a creator of both ska and dub is not to use hyperbole,” Patterson said in a statement.

[…]

Legendary Jamaican musicians say it’s difficult to overestimate the role the trained jazz bassist and the rest of the original Skatalites played in developing the Caribbean island’s unique music.

“He was there from the beginning,” Bunny Wailer told The Associated Press. “All my bass lines from all my recordings have been attributed to bass lines from Lloyd Brevett.”

Wailer, the reggae legend who was one of the original Wailers along with Bob Marley and Peter Tosh, praised Brevett as a devout member of the Rastafarian faith and an elder statesman of the island’s culture.

“Brother Brevett’s music is eternal,” Wailer said.

The Skatalites worked with everybody in the Ska-Reggae-Dub genres. In a way similar to Easy Star All Stars many of The Skatalites biggest hits were Ska reworkings of familiar tunes, even if they seemed to be strange choices for a Ska band. However, listen to the playing and the arrangements. This is some excellent musicianship working against the back beat.
Here’s a little Skatalites Jukebox:…and you’ll be dancing when it’s all over:

Rock on, Lloyd Brevett!!! Rock On!!!

Happy Birthday Willie Nelson – Still Crazy After All These Years

Willie Nelson turns 79 today and he’s still going strong, dropping his new CD “Heroes” next month, featuring Merle Haggard, Snoop Dogg, Kris Kristofferson, Billy Joe Shaver,
and Sheryl Crow, among others. Who would have predicted that back in 1961, when Willie was just an itinerant song-plugger trying to sell “Crazy” to Patsy Cline, that one day he would be singing for presidents?

Here’s a Willie Nelson jukebox:

It’s Duke Ellington Day in NYC!!!

New York City Mayor Michael Bloomberg has declared today Duke Ellington Day, on what would have been the 110th birthday of the musical legend.  Edward Kennedy “Duke” Ellington died in 1974 at the age of 75, but his music will never die. According to UPI:

To commemorate the musician’s life, The Islands of the Bahamas said
they are sponsoring a special run of New York’s last surviving 1939 A
Train, made famous in Ellington’s signature tune “Take the A Train.”

Take the A Train,” written by Billy Strayhorn while he was taking the A Train to rehearsal, I have dozens of recordings of “Take the A Train,” by Ellington because he recorded it so many times.  Some live.  Some solo.  Some with a small group.  Some with a full orchestra. Every single one holds new surprises, no matter how familiar I am with the tune. Here are three great versions of Ellington’s signature tune. The first is Duke with a rockin’ trio, followed by an early version with his orchestra, and finally, one with Ella Fitzgerald on vocals.

With thousands of compositions, and so many interpretations of Duke Ellington tunes, it was hard to pick a stand-out performance until I remembered Dr. John’s tribute CD “Duke Elegant.”  Boogie now!!!