Category Archives: Unpacking Coconut Grove

Not Now Silly Turns To The Dark Arts

I can now reveal what I was only able to hint at last week: I am moving to the dark side of politics. I am collaborating on a book with a politician, Miami District 2 Commissioner Ken Russell.

I became a writer because I wanted to tell stories — because I needed to tell stories. It was less that I chose writing than writing chose me. Words just tumbled out of me. Putting it down on paper was my only outlet. In the beginning, it was fiction and furtive. Short stories that no one ever saw, thankfully.

I look back on my earliest stuff and shudder. However, I’ve worked these past 4 decades honing my craft. From a giveaway music fanzine in the ’70s, to hired wordsmithing for a Canadian trade publication read around the world. By the time I was 25 I could truly call myself a professional writer. Over the years I written everything from Investigative Journalism, Record Reviews, Artist Profiles, Copy Writing, Hollywood Reporter, finally landing at Citytv, Toronto, for a decade as a Tee Vee News Writer. I called myself a ventriloquist because I put the words in the mouths of the meat puppets (a joke that has not endeared me to my former colleagues).

I parlayed my knowledge of tee vee news into writing Fox “News” criticism, first at NewsHounds and, later, PoliticusUSA. I’ve also become an internationally known pundit — if you call what I do on Twitter and the facebookery punditry.

What I’m most proud of is the Not Now Silly Newsroom and my stories about the City of Miami and Coconut Grove. The Grove had more stories to tell than I had time for.

Now there are stories that I will no longer be able to write — some of which are already in the pipeline — because I have to recuse myself from stories about Miami. I’ve joined the other side.


Q: What does Headly Westerfield and Jeffery Beauregard Sessions have in common?
A: They have both recused themselves.


If I’ve written anything at all about politicians in the past 10 years, it’s to call them names and make fun of them. Especially now that we’ve arrived in the Trump Era. However, I’ve long been fascinated by Russell from the day we first met.

He was still a private citizen back then.

I was still trying to land my White Whale: [allegedly] corrupt Miami District 2 Commissioner Marc D. Sarnoff. Russell was fighting Sarnoff’s inadequate plan — developed in secret (as many of Sarnoff’s plans were) — to remediate the toxic soil in Merrie Christmas Park, which was across the street from his house.

This was one of 8 parks in the city closed after toxic soil was found in each of them.

Aside from the inadequate remediation, Sarnoff had also ILLEGALLY declared the park and its surrounds a Brownfield site, without any of the proper public hearings and neighbourhood notifications. As one of the first journalists to report on Soilgate, I cold-called Russell to interview him on the toxic soil issue.

We met in a coffee shop and had a pleasant enough interview. However, in the back of my mind I was thinking, “Okay. I get it. He’s worried about the toxic soil, because his kids play in the park, and his own property values.”

However, near the end of the interview, he surprised me. He said something to the effect of, “Now that we’ve hired a lawyer, it appears Merrie Christmas Park will be remediated properly. However, I’m worried about the parks in the neighbourhoods where people don’t have the resources to take on the City of Miami.”

Well, whaddaya know? This guy has a social conscious.

But that’s where it ended. I had no reason to contact Russel again until he decided to run for Miami District 2 Commissioner to replace Sarnoff, who had been termed out. Russell was considered a dark horse in a race that had 8 people vying for the seat, most of whom had better name recognition that he did.

Renewing contact, Russell allowed me to go with him on Door Knocks. Rain or shine, he visited nearly every house and condo in the district, talking to voters in both English and Spanish; 2 of the 6 languages he’s conversant in. In between houses we talked and I got to know him better. More importantly, I got to like him.

I had never liked a politician before.

While Russell didn’t win on the first ballot, he won the run-off against Teresa Sarnoff, the wife of the term limited Commissioner.

On the day he took his Oath of Office to the City of Miami, Russell graciously allowed me to embed myself with him for the entire day. I met his family, who turned out to be one of the most photogenic families I’ve ever seen. Also, one of the more multicultural families.

Here’s the Cliff Notes version of the Ken Russell story.

His father Jack was a a professional Yo Yo Champion. In the ’40s he invented and patented an improvement to yo yos that became the industry standard. If you’ve ever played with a yo yo, it’s likely it was a Genuine Russell Yo Yo.

This took Ken’s father around the world, promoting the Russell Yo Yo. While in Japan he met that country’s Yo Yo Champion, fell in love, and married her. How’s that for a Meet Cute story?

Eventually along came Ken, who also became a professional Yo Yo Champion, traveling the world — and promoting the product — like his father and mother had done before him. Daft Punk has even licensed the Russell Yo Yo for branded merchandise.

While he can still be cajoled into performing yo yo tricks, Ken eventually moved into woodworking and started a paddle/surf board company, which is what he was doing before he found politics. Or. did politics find him?


Coconut Grove, the community I adopted, is a small part of Russell’s District 2, which also includes downtown.

As a result I often found myself contacting Russel’s office for comments and quotes. I watched Ken as he stumbled and made some missteps while trying to wrap his arms around the intricacies of the office. The learning curve in becoming a politician — and understanding the city machinery — has been tremendous. Russell has made some rookie mistakes, which he acknowledges. However, he’s also identified some creative solutions that, if adopted, could address the poverty and systemic racism that has kept West Grove down during the last century.

Recently Russell was approached by some Movers and Shakers to run for Congress in Florida’s 27th District, to replace Ileana Ros-Lehtinen, who has decided she’s had enough politics for the time being.

He’s still pondering his decision, deciding whether it makes sense to declare as a candidate for the 2018 midterms.

Let this sink in for a second: Russell has been a City of Miami Commissioner — his first elected post ever — less than 2 years. Yet there are already people who think he could go further. The entire concept is a surreal.

However, this got me thinking: If anybody is going to write what I’ve taken to calling The Ken Russell Story (for the lack of a better name), I wanted it to be me.

About a month ago I approached Russell with the idea to collaborate on a book. Miraculously, he didn’t tell me to GTFO. In fact, he listened carefully as I outlined several different approaches such a book could take. After pondering it for a while, Russell agreed to collaborate.

That’s why I have now recused myself from writing about Miami politics.

I have officially crossed over to the other side. I am excited about being able to watch the sausage being made. Whether Russell decides to run for Congress, and win or lose, we’ve agreed that this book will go forward.

I’ll still publish various kinds of stories in the Not Now Silly Newsroom (several of which are already in the pipeline). However, now that I am shadowing the Commissioner, I have signed a non-disclosure agreement. I can’t use anything I learn while being a fly-on-the-wall in meetings until the book is published, or I am released from this agreement, whichever comes first.

This is a brand new adventure for me. Wish me luck.

How Will the Playhouse Redevelopment Hurt West Grove?


Coconut Grove is older than Miami, but has been treated
like its ugly step-sister ever since annexation in 1925.

West Grove, the historic Black enclave nestled within Coconut Grove, Miami, Florida, is currently threatened on all sides by White gentrification.

The latest challenge is the massive Coconut Grove Playhouse condo/restaurant/parking lot/theater redevelopment project threatening West Grove.

The Playhouse is at the extreme east end of Charles Avenue. It was designated a Historic Roadway because it is one of Miami’s oldest streets. It was laid out slightly out of true east/west alignment by E.W.F. Stirrup, who almost single-handed, created this neighbourhood and watched over its survival until he died in 1957. Stirrup was one of Florida’s first Black millionaires and at one time owned more properties in Coconut Grove than anyone else.

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Further reading:

This reporter has been researching Charles Avenue and Main Highway since February 2009. Here are just a few of the stories from the archive.


Happy Birthday Coconut Grove!!!
Now Honour Your Past

Who Is To Blame For The Destruction
of the E.W.F. Stirrup House?

Say Goodbye to the Stirrup
House While You Still Can

Unpacking Coconut Grove
Part One

Unpacking Coconut Grove
Part 1.1

The E.W.F. Stirrup House

Open Houses and Broken Laws

A Charles Avenue Love Story

An Open Email to the City of Miami

Signs along Charles Avenue

The Coconut Grove Playhouse
Trojan Horse; Part I; Part II

The Coconut Grove Playhouse
Deal Begins to Unfold

EXCLUSIVE: Are Valet Companies
Stealing From Miami Taxpayers?

The Bicycle Shop The Latest In The
Cultural Plunder of Coconut Grove

Aries Development Continues
To Rape Charles Avenue

Aftermath of the Great
Miami Tree Massacre

[/tabembed]The more things change, the more they stay the same.

When the Miami Historic Environment Preservation [HEP] Board voted earlier this month to demolish the theater, it took another step in destroying history in order to pay lip service to preserving it. This is the same thing the HEP did with the E.W.F. Stirrup House, catercorner to the back of the Playhouse, on south side of Charles. This magnificent century-old house has now been replaced — NOT RESTORED! — because the HEP will roll over for developers, history be damned.

The Coconut Grove Playhouse — just like the Stirrup House — underwent nearly a decade of Demolition by Neglect. The Coconut Grove Playhouse’s developers — just like the Stirrup House’s developers — were then able to argue that extreme deterioration of the structure required it to be torn down.

The more things change, the more they stay the same.


The E.W.F Stirrup House before replacement

TO BE FAIR: The Playhouse developers were also able to argue the theater was renovated so many times since originally built, that it no longer was the old theater anymore. That was an argument only the HEP seemed to buy.

Ironically, the same could have been argued for the E.W.F. Stirrup House, which (according to anecdotal evidence) grew from a small 1-story Conch House to the impressive 2-story structure as Mr. Stirrup’s family and fortune grew.

However, that’s all water under the bridge.

Once the HEP approved the massive Playhouse redevelopment (in concept only) it became immediately clear how this Black neighbourhood will bear the brunt of that decision.

When it came time to build a polluting incinerator in Miami, it was given to West Grove. Almost 100 years later, when it came time to build a polluting diesel bus maintenance facility, it was given to West Grove. And now, when a massive development project is proposed for Main Highway, the negative effects will be born by West Grove.

The more things change, the more they stay the same.


A quick word about these Coconut Grove Condo-Retail-Restaurant-Parking Garage-Playhouse Megaplex drawings:

Before the HEP Board approved demolishing the historic Coconut Grove Playhouse on April 4th, the developers put on the typical Dog and Pony Show. During the hours-long meetings the community and HEB Board were presented with a confusing array of facts and figures, along with blue prints and artist’s renderings. These cane be found HERE. show that there will be entrances to the loading docks on Charles Avenue and William Avenue, one block to the north.

Just before the HEP voted it was revealed that all of the drawings just shown were already out of date, supplanted by another set of drawings, with different facts and figures, that no one had seen yet.

And the HEP Board still passed it. The more things change, the more they stay the same.

Meanwhile, I have found newer drawings online at the Miami-Dade Department of Cultural Affairs public portal, which were posted on April 10th. Now, get this: I have been told that these drawings are already out of date. However, until I finagle the latest from one of my sources, these will have to do.


How will West Grove suffer?

The latest drawings show that Charles Avenue [A, to the right] will be the entrance for all trucks with something to pick up, or take away from the Coconut Grove Condo-Retail-Restaurant-Parking Garage-Playhouse Megaplex.

Trucks will turn in from Main Highway [B] to [F}, where an entire complex of loading docks and garbage pickup will be competing for space. The drawing does show a small bit of landscaping to try and make it disappear, but it will always be a loading dock and garbage pickup on Charles Avenue.

It’s instructive to note that putting this driveway on Charles leaves the maximum amount of space on the north side of the building for the mixed use Condo/Retail/Restaurant/Parking Lot/Theater Megacomplex. All at the expense of Charles Avenue, which has been designated a Historic Roadway, just to remind you.

Lately beer trucks serving the restaurants in The Monstrosity, aka Grove Gardens Residence Condominiums, have been pulling onto Charles Avenue and parking opposite the driveway to the E.W.F. Stirrup House [G]. From there the deliveries are loaded onto a hand cart and taken it through the parking lot of the Regions Bank on the corner, across from [F]. If the Stirrup House ever gets an occupancy permit, they’ll be able to walk it through the Stirrup property instead, saving time and energy.

Oddly enough, loading docks were not required for The Monstrosity, even though the plan was always to have restaurants on the ground floor that would require deliveries. In addition, beer trucks will never be allowed to pull up in front of The Monstrosity, because that would hinder the valet parking concession.

Once the Playhouse is redeveloped — with its 31 apartment units [D], restaurant [between D & E], gargantuan 449 slot parking garage [C], and small 300 theater [E] — it will generate a massive amount of garbage. There will have to be daily pickup, if not pickup twice a day.


The Charles Avenue Historic Marker with the
two empty residential lots in the background

Let me draw your attention to the two empty lots marked [H] on the pic above. Immediately behind the Charles Avenue Historic Marker are 3227 and 3247 Charles Avenue, which are zoned single family residential. There had once been houses on those lots; a Conch on one and a Shotgun on the other. These were demolished in order to use the double lot as a marshaling yard to build The Monstrosity a decade ago.

TO BE FAIR: This made more sense than having the construction traffic on Main Highway, but the neighbouthood still lost 2 affordable houses that have never been replaced.

I wrote about these two empty lots in Another Charles Avenue Bad Neighbour Update, after I discovered that the valet concessions were illegally using these residential lots to park dozens of cars, the overflow to an event in the Cruz Building, on Commodore Plaza.

These 2 lots are not part of the footprint of Playhouse redevelopment. Yet, everyone recognizes how they would square off the Playhouse property. However, there are too many hoops to jump through for that to ever happen. Regardless, that did not stop developer Peter Gardner, of the Pointe Group/Colliers International, from dropping a half million dollars a piece to speculate that these two lots will skyrocket in value.

FULL DISCLOSURE: When I met with Peter Gardner last year I sandbagged him. Having learned he had recently signed on as a developer of the Stirrup House, I booked a sit down interview with him. After some preliminaries on the Stirrup House, I shifted to these two Charles lots and then all the property he either owns or controls on Grand Avenue.


At dawn, looking east along Grand Avenue, from the
disgusting ghetto to the extremely rich Center Grove

Please read my ongoing series Unpacking Grand Avenue


Garner was surprised that I was able to relate the history of these two empty lots and how the people he bought them from may have broken the law to get them. He suggested that it’s possible he hadn’t performed his due diligence on the properties. I assured him that no one, least of all the banks that appear to have been snookered, cared at all.

Then he appeared shocked when I pulled out my handmade map of Grand Avenue, with all the properties identified and colour-coded by owner.

And, I know he was stunned when I told him that I would fight him tooth and nail to prevent these Charles Avenue lots from being zoned for anything other than single family. TO BE FAIR: I warned him at the top of the interview that I was an advocacy journalist. This is just one of the things I advocate about.

But, I digress. One of the latest ideas for these two lots is to turn it into some kind of car turn-a-round for all the swells going to the Playhouse. Imagine the traffic this would generate. However, this idea seems as absurd an the other rumour around: That Michael Eidson’s 2-theater plan would need these two lots to expand into for something or sundry. Both ideas seem like non-starters.

Regardless, no developer drops a million dollars on 2 lots unless he thinks there’s a payoff at the end of the day. Small single family houses on these long and narrow lots will never be able to pay for themselves. That’s why eventually Miami Planning and Zoning will be called upon to either rezone the lots to Multi-Family or Commercial use. The owner of these 2 contiguous lots would need no variance to build a monster home straddling the properties, but it would be hard to make any money doing that.

And, if Not Now Silly has learned anything in the 8 years covering Miami, it’s that developers always seem to get what they ask for. Even if it contravenes the Miami21 plan and offends the NCD2 oe NCD3 neighbourhood overlays. Yeah, I’m looking at you, Planning and Zoning.

Bottom line: There’s nothing in this massive redevelopment project for the people who live in West Grove. When all is said and done, this historic neighbourhood will be forced to deal with all the negative fallout of the project, without any of the benefits. The developers are now paying lip service to putting affordable housing in the project. There were also mutterings about hiring from within the community. However, these are promises that every developer in Miami gives to get permission to build, but never seem to deliver upon.

There will be an educational component to the theater program because that was mandated by the State of Florida. But nothing said they’ll educate children in the immediate community. The theater company, GableStage — which I have heard nothing but good things about — comes from outside the community, Coral Gables. [Please see my series No Skin In The Game; Part I; Part II; Part III] Because of the relative poverty of West Grove (due to decades of systemic racism) it’s unlikely the folks there will be able to afford the $45 tickets to any of the plays GableStage currently offers. I know I would have to budget hard for something like that.

This artist’s rendering hides the fact that behind the
Playhouse are small, 1-story Conch and Shotgun homes.

District 2 Commissioner Ken Russell needs to be more vocal and proactive about these neighbourhood concerns and how this project will negatively effect West Grove. In a recent encounter this reporter asked Russell whether he has a public stance on the Playhouse redevelopment project. He declined to give me a quote because it’s an issue he may one day find himself ruling on. However, there are some aspects of this massive redevelopment that he can comment on. Chief among them, is the increased truck and car traffic on the quiet residential streets of West Grove.

I already know what Miami-Dade and the Miami Parking Authority will say, because it’s been done before. They will claim, “We didn’t hear any complaints.” It’s unlikely they will hear complaints from the West Grove. These are people who have been ignored and marginalized for decades. After nearly a century of systemic racism, they’ve stopped complaining.

That’s why they need a champion, a Commissioner who will not ignore their travails.

This is a Miami-Dade project, not a City of Miami project. This means that Commissioner Russell has very little power to protect the historic West Grove neighbourhood from the fallout from this massive project on its doorstep. But that doesn’t mean he shouldn’t try.

Update to the Update to “The Parking Garage Is The Thing”

I finally received a reply from Miami-Dade country, answering my questions of Thursday last.

I said in my previous post I would post these answers should they differ from those I got through my source. While the answers are quite similar, there are some slight differences. Here is the unedited reply to my email:

1). How many parking spaces are currently anticipated in the Playhouse redevelopment?

The current proposal would accommodate 449 spaces.

2). How many residential units in the Playhouse redevelopment?

The current proposal includes 31 units.

3). Of these residential units, how many are for Playhouse staff (however that’s loosely defined) and how many are for sale?

Units are contemplated to be rentals, possibly affordable housing units, but final determination will be subject to development, operating and management agreements which are not in place yet. Please note that the plans presented to the Historic and Environmental Preservation Board are for the master plan for the site and include preliminary concepts for the disposition of the existing building and the planned development.  The conceptual plan will continue to be refined as the drawings are further developed and quantities/sizes are likely to change.

4). How large is restaurant in the Playhouse redevelopment? Number of seating?

The proposed retail and/or food and beverage areas are comprised of approximately 10,000 square feet (in 3 levels) in the front building and approximately 5,000 square feet of new space adjacent to the garage.

5). How many retail outlets? Will the entire frontage (the Main & Charles sections) be retail?

The space is planned for retail and/or food and beverage (see answer to #4) but no agreements are in place at this time. It is possible that these spaces may have one or more operators.

While these figures are similar to those I received on Monday, there are some differences and some added information. However, it’s anticipated that there will be many changes to all of this as time marches on.

Is the OMNI CRA Expanding?


The current boundaries of the OMNI CRA

A vote Thursday at Miami City Hall could be the lifeline West Grove needs to pull itself out from under decades of poverty and systemic racism.

District 2 Commissioner Ken Russell will introduce a motion at the Commission meeting to finance a $25,000 “Finding of Necessity” study to create a West Grove CRA or expand the boundaries of the OMNI CRA [Community Redevelopment Agency] into West Coconut Grove. [This would be a non-contiguous add on to the current Omni footprint.]

CRAs are designed to attack city blight and reduce slum conditions in neglected areas. To pull this off a trust is created, which is funded by increases in property tax revenues. This money can be used in a number of ways to improve residential, commercial, or infrastructure within the CRA district.

Creating a new CRA means that it could be many years before there’s enough money in the trust to start playing Monopoly and moving pieces around the board. In addition, a blighted area by itself would probably not have the tax base to generate much of a trust fund. You’d have to include parts of Center Grove in order to generate enough revenue to make it worthwhile.

Latching onto the OMNI CRA has its own pitfalls. To begin with the OMNI (or any) CRA Board consists of all 5 members of the Commission and two community members, who must live within the CRA district. Currently there are no West Grove members on the CRA Board for obvious reasons. However, even if West Grove became part of the OMNI, it would, at best, only get one seat on the board. However, there’s no guarantee of that. Furthermore, West Grove would be competing for monies that Overtown might be eyeing for its projects.


Looking east along Grand Avenue as rosy fingered dawn approaches

Further Reading at Now Now Silly:
Unpacking Coconut Grove


As I have done on previous occasions, this morning I arrived on Grand Avenue at 6AM and sat down on my customary bench at Hibiscus to watch the street come alive.

There was less to watch this day. One of the condemned buildings on the north side of Grand has finally been evacuated and boarded up. The building on the south side, which was also condemned, has far fewer residents than it used to, but people still live there among the rats, insects, mold, and mildew. I tried to speak to a gent in the courtyard smoking a cigar at dawn, but he just growled at me. I thought it might have been a language barrier until I saw him talking a bit later to one of the street people.


The moon about to set behind a condemned building that people are still living in

As dawn approached people started gathering at the gate for the Billy Rolle Domino Park, at Elizabeth. They arrive by foot and bicycle. This is where there are public washrooms, but the gate is locked until a city employee comes around and opens up the park for the day.

It never takes very long before I am approached by an itinerant salesperson. As I have explained previously, it’s odd being racially profiled. The truth is that most of the White folk who show up here are looking to score.

I took several walks around the neighbourhood and ended up at the Charlotte Jane Memorial Park Cemetery, where I spoke to a gent who was painting his mother’s grave stark white with a roller. At one time this was the only cemetery where Black folk could be buried in Miami.

Coconut Grove was once unique in this country because it had the highest percentage of Black home ownership than anywhere else. That cohesiveness that lasted decades is under attack from greed and gentrification, not to mention systemic pverty and racism. If West Grove is to survive in any meaningful way, with its demographics relatively intact, then a Community Redevelopment Agency just might be what it needs.

This is a story that Not Now Silly will be following anxiously.

Update to “The Parking Garage Is The Thing”

This is an artists’ rendering of what that end of Charles Avenue will look like after they build this massive Garage-Condo-Restaurant-Theater-Entertainment-Plex. The building in the foreground will be known to longtime Not Now Silly readers as The Monstrosity, aka Grove Gardens Residence Condominiums. If you look carefully, you can just see the roof of the E.W.F. Stirrup House (peeking out from behind The Monstrosity, which dwarfs it), the last historic building the HEP Board voted to demolish in order save history.

This post is a follow-up to The Parking Garage is the Thing.

Something I did not mention in that post is how, after the HEP Board meeting, I introduced myself to Michael Spring, Miami-Dade’s Cultural Czar. We’ve spoken on the phone, but had never met.

Spring was the lynch-pin that brought all the competing factions together to craft a delicate plan to restore the Coconut Grove Playhouse before the deadline imposed by the State of Florida. Had the parties not been able to come to an agreement before the sunset clause, the state could have sold the land as surplus to the highest bidder. [Read: Developer.]

TO BE FAIR: Spring was busy when I approached. He and his group were basically giving each other High Fives, and trying not to appear too gleeful, after Miami’s Historic Board [HEP] signed onto the plan to demolish the historic Coconut Grove Playhouse in order to preserve history.

Knowing it was not the time for rambling conversation, I handed him my homemade business card and got to the point. After introducing myself said I’d be calling to get some specific questions answered. He replied that he would be happy to answer them. Nice finally meeting you, Same here. End of conversation.

I gave his office a call on Thursday and was told he was unavailable and would be going out of town the following day, but he would certainly get my message. I explained I was on deadline. Having already started writing the post, all I really needed was the answers to a few questions to finish it. I asked whether I could get answers to my specific questions if I sent them via email. While I was given no absolute guarantee, I was told they would try and get answers for me. Here’s the text of the email sent at noon on Thursday.

Here are the 5 Qs I have. I am asking because I heard a lot of numbers thrown around the other night and they didn’t always agree. (I know I said 4 on the phone, but thought of another.)

1). How many parking spaces are currently anticipated in the Playhouse redevelopment?
2). How many residential units in the Playhouse redevelopment?
3). Of these residential units, how many are for Playhouse staff (however that’s loosely defined) and how many are for sale?
4). How large is restaurant in the Playhouse redevelopment? Number of seating?
5). How many retail outlets? Will the entire frontage (the Main & Charles sections) be retail?

I appreciate any help you can give me in getting these answered before my (self-imposed) deadline.

I was still waiting for an answer on Saturday when I decided to ask one of my other sources, who promised to get back to me with answers. This source is always as good as their word. When, by Monday morning, I still had no answers from either Miami-Dade or my source, I finally published my post before it grew whiskers.

Consequently, I described what I knew and, most importantly, what I didn’t know in The Parking Lot is the Thing.

Late Monday afternoon my source got back to me with an apology because it took so long. Here are the answers to most of my questions. [If I ever hear back from Michael Spring’s office, we can compare these facts and figures and see how good my source really is.]

1). The parking garage has room for 460 cars.
2). There are 27 residential units in the parking garage.
3). Residences for visiting directors, writers, or actors is still up in the air, although these have been part of the plan since inception. If it happens, it’s anticipated these residences will be on the second floor of the front section of the Playhouse (the only part of the structure being saved). Of the 27 residential units, it is now anticipated that all of them will be “market value” rental properties.
4). The restaurant is 6,000 sq. ft. and will be probably be in a standalone building tucked between the parking garage and the Coconut Grove Playhouse, but could just as easily be attached to both buildings.
5). There will be 15,000 sq. ft. of retail; 10,000 of that in the facade building, the only part of being saved, with 5,000 sq. ft. in the parking garage building.

Once again I was cautioned that these numbers only represent what’s in the latest drawings, which I need to emphasize were never presented to the HEP Board on Tuesday before it voted. There will be more drawings, more plans, more numbers to come.

And, the Not Now Silly Newsroom will be there.


COMING SOON TO NOT NOW SILLY

How West Grove loses with this development

Why the Miami Parking Authority is too powerful

The Parking Garage Is The Thing

LONG STORY SHORT: The City of Miami’s Historic and Environmental Preservation Board [HEP Board to Miami hep cats] voted 4-1 Tuesday to raze the historic Coconut Grove Playhouse in order to preserve its historic façade.

Confused yet? Not as confused as everyone was when it was revealed — but only near the very end of the meeting — that the HEP Board was merely approving the “concept only” of demolishing the historic theater, and not any of the myriad drawings, plans, and designs that were shown during the evening in order to sell the development project to the taxpayers of Miami. But I’m getting ahead of myself.

LONG STORY LONGER: I’ve seen a lot of Dog & Pony shows at Miami City Hall, but this one takes the cake.

As they always do, this one went on for several hours. First the developers (save one, which we’ll get to in a eventually) got to give several PowerPoint presentations that seemingly went on for 3 days (especially for me because this is the same Road Show that I attended at Ransom Everglades a couple of months back. It seemed to have only gotten longer since then).

One PowerPoint gave the entire history of the Coconut Grove Playhouse, from its inception as a movie theater 90 years ago, through its several renovations in the year since. Due deference was given to original designer Richard Kiehnel, of the famed Kiehnel and Elliott architectural firm, and Alfred Browning Parker, the ’50s “Miami Modernist”, who designed the live theater that was applied over Kiehnel’s Mediterranean-inspired design.


The Bright Plan

QUICK HISTORY LESSON: Before the (older) Coconut Grove was illegally annexed in 1925 by (the upstart) Miami, it ruled its own destiny.

The Movers & Shakers of Coconut Grove had big plans for paradise. To that end they hired Philadelphia architect John Irwin Bright, who came up with The Bright Plan, an ambitious redesign of downtown Coconut Grove. The new city hall (near where CocoWalk ended up) would have faced Biscayne Bay, with a large reflecting pool that ran down what became Macfarlane. This grand plan, which was never realized, was based upon Mediterranean architecture. While it didn’t come to fruition, one building from that plan was actually built. The Coconut Grove Theater opened in January of 1927 and was given a Mediterranean feel to match that of The Bright Plan. The rest is history.


The Dog & Pony Show descends into farce

We were led to believe — by those who were arguing for the theater’s ultimate demolition — that all the additions, subtractions, and renovations to Kiehnel’s original sublime movie house were, at best, architectural abominations and, at worst, an act of barbarism against humanity. [I might be exaggerating. Slightly.]

Next up on the double bill was the PowerPoint showing the current plans for the site’s footprint. We were shown drawings, elevations, blueprints, and artists’ renderings of the finished project in situ. During the presentation we were given enough facts and figures, to confuse anybody trying to pay attention. That PowerPoint lasted for at least a week. [I might be exaggerating. Slightly.]

The parking garage, that gigantic thing in the middle
of the development, dwarfs the rest of the project

However, none of that yakkity yak yak mattered in the final analysis because it was revealed right at the very end of the meeting — after all the PowerPoint presentations, after all the public input, and after all the developers had a chance for rebuttal — that:

  • 1). The drawings and the PowerPoint presentation we were just shown had already been supplanted by another — newer — set of drawings and blueprints that no one had seen yet, including the HEP Board;
  • 2). But, that didn’t even matter because the only thing being asked of the HEP Board that night was to give the developers an Up or Down vote to the “concept” of demolishing the historic Coconut Grove Playhouse, as opposed to approving the actual plans of buildings we just spent an eternity viewing. Each building, and every subsequent change, will have to come back before HEP for approval.

WAIT! WHAT?

I actually gasped when I realized the Dog & Pony Show had become a Bait & Switch.

I had driven in from Sunrise, to spend hours in a room colder than a meat locker, in order to listen to a developer’s pitch that I’d already heard before. I was frustrated to learn that the citizens of Miami had been given, in essence, fake news.

There was nothing taxpayers could say about it at that point because PUBLIC COMMENTS were already closed. The only people who could speak to that was the HEB Board members and they seemed disinclined to inquire why everybody’s time was wasted. I quickly texted one of my super duper, secret, anonymous sources, who seemed pretty gleeful at this turn of events:

ME: No real fireworks. The plan might not be approved. There’s no motion on the table yet.
SECRET SOURCE: I’m watching this [from home] and this is nuts… they are idiots. Now they [HEP Board] get the reso.

BTW: This startling info only came out after some probing questions posed by Lynn Lewis, the only HEP Board member to eventually vote NO to this plan to raze history in order to preserve history. She was trying to get to the bottom of some questions she had in determining whether she would table a motion to reject the plan.

That’s right, folks. It was only in the minutes just before a motion was put on the table, right near the end of a very long meeting, that the HEP Board realized what was really being voted on. Even I was fooled by what I had witnessed.

Lewis finally crafted a motion that rejected the plan and called for the developers to return with more concrete plans. She didn’t get a second and the motion withered on the dais. A motion to approve the plan “in concept only” was tabled and passed 4-1.

In the end, and is always the case in Miami, the developers got exactly what they wanted and needed.


A drawing of the 5 story, 513 slot, parking garage, which is now out of date. Not Now Silly has been told it’s already been reduced in size. However, I have been unable to get the current height or the amount of parking spaces.

The Parking Garage is the thing

As I mentioned above, one developer didn’t show themselves. That’s not exactly true. What is more accurate to say is that Art Noriega, Miami Parking Authority’s CEO, never gave a presentation. This despite the fact that the massive parking garage is one of the primary drivers of a lot of the decisions that have been made along the way.

However, I saw Noriega several times during the meeting peaking out from behind the dais. At various times he was on either side of the room or the other, lurking behind all the other city swells there to service the meeting (like city lawyers and such, who could answer legal questions if they came up). I’m sure if he had been needed, Noriega might have been called upon to answer any questions that came up. However, the huge, honking, parking garage was less a bone of contention than it deserved to be.

A mere 25 months ago, after I saw the first artistic drawings that a source had leaked me, I published The Coconut Grove Playhouse Trojan Horse (Part I; Part II). These articles suggest that it’s the parking garage driving the theater redevelopment and not the other way around.

Nothing I heard on Tuesday changed my mind. In fact, the project seems to have morphed from a mere 5-story parking garage into a condo and restaurant development with a parking garage and small theater attached.

TO BE FAIR: There’s no denying that parking is sorely needed in that area, something I’ve written about previously after sitting in that parking lot for hours on end counting cars. Furthermore, continued development will make that need more dire. Immediately to the north of the Playhouse footprint is a plan for a 4-story office building fronting on Main Highway, which will probably have restaurants on the ground floor. [See rendering above.] Additionally, Ransom Everglades private school, just south of the Playhouse on the east side of Main Highway, is bursting its parking lots at the seams. Then consider that all those valets in front of the restaurants along Commodore Plaza (working for tips only) are desperate for nearby places to stash cars.

Not Now Silly has published stories about all these parking issues previously.

However, what was once a parking garage development project, with its 300-seat theater afterthought, will now also have residential condos, retail shops, and a restaurant.

Because there’s now a lot of misinformation swirling after the Dog & Pony Show Bait & Switch, I have been trying to get the definitive answers to the following questions:

  1. How many floors tall is the parking garage? [I’ve already been told it’s been downsized from 5, but have been cautioned not to say “4”.]
  2. How many parking spaces will be in the parking garage? [Downsized from 513.]
  3. How many residential condos are in the current development plans? [A crazy number I heard was 30, but that was when the garage was 5 stories.]
  4. How many of those are FOR SALE? [All of them I’ve been told off the record.]
  5. How many residential units are being created for visiting directors and actors at the theater? [This may no longer be part of the plan, or they may be in the front building, the only portion being saved.]
  6. How large is the restaurant? How many seats?
  7. How many retail stores will be in the front of the building? [The only portion being saved.]

There are a lot of unanswered questions and this massive development project never should have been passed without the HEP Board having more answers.


This is the only part of the historic Coconut Grove Playhouse that will be saved. It’s the narrow, sliver of the building on either sides of entrance, that brackets the corner of Charles Avenue and Main Highway. It will have retail spaces.

A 300 seat theater? You’re joking, right?

Miami is supposed to be a World Class City. What’s World Class about a theater that’s smaller than the auditoriums of several of the local schools?

Where’s the room for growth in a 300-seat theater?

GableStage, the company that will take over programming at the Coconut Grove Playhouse, currently operates in a 150-seat theater. It has the potential to double its audience. However, where does it go from there?

A 300-seat theater is not large enough to bring in touring musicians, who might be booked for nights the theater is dark. A 300-seat theater is not large enough to be rented out of community events when the theater is dark. As mentioned, the local school auditoriums are slightly larger.

People who are arguing for this configuration tell me Miami can’t support a bigger theater. That there are already large theaters in Miami that don’t sell out.

Detractors at the meeting kept reminding the citizens that the Playhouse failed as a much larger theater. However, a number of factors could have led to the Playhouse’s demise, from bad publicity, to the wrong kind of shows, to bad scheduling.

I contend that if you put on the right shows — including musical artists on nights when the stage is dark — you’ll draw clientele.

However, if you build a 300 seat theater, you’ll never draw more than that. This is nothing but small time, small town, small thinking.

This plan shows a second theater off the main theater.

TO BE FAIR: There is a plan to build a second theater on the same footprint that has 700 seats, in addition to the 300-seat room already passed “in concept”.

However, the 700-seat theater is unfunded. Getting the $40 million to build it is considered a long shot, at best, and will probably never be built.

It’s been my contention all along that a 300 seat theater is small time, small town, small thinking.


COMING SOON TO NOT NOW SILLY

How Will the Playhouse Redevelopment Hurt West Grove?

Why the Miami Parking Authority is too powerful

UPDATED: Coconut Grove Grapevine, Stop the Lies!

The back of Tom Falco’s head taken at the Grove 2030 charrette
I covered in Intense Intents in Tents. Oddly enough, that post
mentioned the Terra Group, the latest rapaciousdeveloper
to try to buy up and gentrify Grand Avenue. However,
Tom Falco is only concerned with gentrification in White
neighbourhoods. Stories on West Grove are few and far between.

Can you trust his reporting on development if
he’s taking “gimme caps” from developers?

Over the years I’ve had a lot of fun at the expense of Tom Falco, editor, owner, and grammarian at the Coconut Grove Grapevine.

Our enmity began when I was still using the nom de troll of Aunty Em Ericann and I tried to get him to help me save the E.W.F. Stirrup House.

When he declined I tried to get him to provide me some direction off the record, because I was new to Grove politics, and he might be able to help understand the lay of the land. In my opinion his responses were, on the whole, racist in nature and I was unsure why he’d ‘go there’ with a complete stranger like myself. We’ve pretty much been on opposite sides ever since, occasionally breaking out into public and private skirmishes.

Later he blocked me from commenting on his facebookery because I shared my Coconut Grove articles and, later, tagged him on posts, something I saw him castigate someone else for just yesterday. I’m not sure why he’s so adamant against either practice if the goal is to share information that might be of interest to his readers. However, Falco’s only goal is to protect his little fiefdom, not the free exchange of information. Therefore, any competition must be discouraged.

There was the time I wrote Go Home, Coconut Grove Grapevine, You’re Drunk, which took him to task for being a paranoid idiot after he accused me of having a “crew” that “threatened” him. I wish I were making this up.

This is my favourite part of the Coconut Grove
Grapevine. Go ahead and sue me, Tommy.

A few days after that I posted A Coconut Grove Grapevine Update, in which I slapped him around for writing a public apology to someone after he had defamed and libeled me without apology or retraction.

Then there was the time I wrote If It’s News, It’s News To The Coconut Grove Grapevine in which I admitted being jealous that he was quoted by Miami media to comment on the destruction of the trees at the E.W.F. Stirrup House and Trolleygate, even though he had a bare understanding of either story and hadn’t really written about them to any great degree. And, in another post, I admitted my jealousy of his advertisers.

None of that includes posts I’ve started to write about him because of his tortured English, and then decided not to publish because I don’t want to be known as a grammar Nazi.

However, to my credit, I also wrote Welcome Back Coconut Grove. Falco shut down for a while, saying he was quitting to concentrate on his pathetic cartoons. However, after 4 months of not being a local Coconut Grove celebrity bartering ad space, he returned to the Blogosphere.

Back in the day, I used to make fun of his slogan “Coconut Grove’s Only Daily News” because it was neither. Eventually — and I hope it was because I complained — when he returned from his self-imposed, hair-shirt hiatus he did so with a brand new slogan: Daily updates on what’s up in Coconut Grove and beyond including Brickell, Coral Gables and Midtown Miami.

I guess he was hoping to start selling advertising — or bartering more meals — all over the place. However, he must have been disappointed by the response.

When I was writing Intense Intents in Tents earlier today, I checked to see if he had said anything about the Housing for All protest. Of course not. However, he had found the time to attend and write about what’s got them roiled in Whiteville. Falco had a post on Grove 2030. And then something about mattresses. But, anything of the Housing for All protest happening in between? Of course not. Nothing. Crickets.

That’s when I happened to notice he’s changed his slogan again.  Now it’s:

NOW IN OUR 12th YEAR!
The only place for Coconut Grove,
FL News, Views & Opinions
 

One wonders whether the UBER advert is a paid ad or part of a contra deal.
And why a plug for the mattress store? Is there some quid pro quo happening?
Falco is only concerned about news in Whiteville, also known as the Coconut Grove Business Improvement District, which doesn’t include anything west of Margaret Street on Grand Avenue.

Futhermore, I have proven over and over again that The Grapevine is *NOT* the only place for Coconut Grove News, Views & Opinions. Falco needs to remove his mendacious slogan ASAP.


UPDATE: The Coconut Grove Grapevine finally posted something on the Housing for All protest on the morning of the November 15th. While he managed to mangle a few facts, which is to be expected with Tom Falco, at least he ventured into West Grove.

Discovering Coconut Grove ► Throwback Thursday

My latest picture of the E.W.F. Stirrup House with its new historic marker,
but it’s no longer the historic E.W.F. Stirrup House. It’s a recreation.

Read: Who Is To Blame For The Destruction Of The E.W.F. Stirrup House?

When I first moved back to ‘Merka in 2005 I used the nom de troll of Aunty Em Ericann.

It was under that name that I first started writing Fox “News” criticism for NewsHounds. And, it was also under this name that I discovered Charles Avenue, which has let to dozens of stories about this community that still suffers from systemic racism.

This is one of the first stories about Coconut Grove I wrote:


Friday, March 13, 2009

The Shame of Coconut Grove

Number Two in a series

I said a picture is worth a thousand words, but either I should have included more pictures, or at least a couple of words, because most people misunderstood what the picture represented.

It was viewed as a current picture of…as what exactly? A political statement? An uncaring neighbour? A lack of respect for those founding Blacks who, having settled the area, helped the Whites survive and conquer the conditions found in this humid, mosquito-infested swampland that was southern Florida in the late 1800s?

Well, yes it’s all that, but it’s more and my picture didn’t tell the full story.

I have since visited Charles Avenue on four subsequent occasions. Only once was there no trash piled at the bottom of the historical marker. But, as you can see, it wouldn’t have mattered. The base is broken and the sign leans at an uncomfortable angle against a wire fence surrounding an empty lot of gravel and weeds.

I have also now done a moderate amount of research on the area. The story of Coconut Grove, writ large, is the story of what happened in every Black neighbourhood in America, save NYC which has always been unique.

This historical marker demonstrates years of neglect of Black heritage, while the heritage (and racial make-up) of the area grew to be overwhelmingly one associated with White folk.

There is one thing that differentiates Black Coconut Grove from all other Black communities. When one speaks of “the other side of the tracks” it is a literal description of these areas. Black Coconut Grove has no railroad tracks to separate it from the more affluent homes. Main Highway is the main dividing line in The Grove.

Coconut Grove, on the west side of Biscayne Bay, was a sleepy holiday destination in the early 1900s, unknown by most United Statesers and frequented by The Very Rich™. However, in December of 1925 “The Cocoanuts,” starring The Four Marx Brothers, opened at the Lyric Theatre in NYC. The madcap antics take place in Cocoanut Grove [sic; the original spelling], Florida, where Groucho runs a bankrupt hotel. The George S. Kaufman play ran for nearly 300 performances and became the first Marx Brothers’ movie in 1929. In the movie Groucho famously said, “You can have any kind of a home you want. You can even get stucco. Oh, how you can get stucco.”

And so, for the longest time, The Grove was associated with carpetbagging land speculators selling swampland to rich northerners.

Yet, something was happening in The Grove. First annexed to Miami in 1925, the same year the Marx Brothers trod the boards in the play, the sleepy town of The Grove already bragged of a library, school, yacht club and chapel, joining the Peacock Inn as structures in town.

Later, after WWII, Coconut Grove became an artists’ destination after servicemen, who had experienced Florida weather for the first time, packed up their families and moved south. The great influx of people occurred in the 50 years since. These days Coconut Grove is one of the richest and most desirable neighbourhoods in these United States.

As more people moved into The Grove the division that Main Highway represented became the colour line.

According to The WikiWackyWoo:

Demographically, Coconut Grove is split up into North-East Grove and South-West Grove, and as of 2000, the total population of both of the neighborhood’s sections made up 18,953.

As of 2000, North-East Grove had a population of 9,812 residents, with 5,113 households, and 2,221 families residing in the neighborhood. The median household income was $63,617.82. The racial makeup of the neighborhood was 35.24% Hispanic or Latino of any race, 2.25% Black or African American, 60.96% White (non-Hispanic), and 1.55% Other races (non-Hispanic).

As of 2000, South-West Grove had a population of 9,141 residents, with 3,477 households, and 2,082 families residing in the neighborhood. The median household income was $63,617.82. The racial makeup of the neighborhood was 14.80% Hispanic or Latino of any race, 48.27% Black or African American, 35.27% White (non-Hispanic), and 1.66% Other races (non-Hispanic).

Which side of that line do you think this historical marker is on? If you cross Main Highway due east from Charles Avenue and the historical sign you will find the gates of “Camp Biscayne,” a lush gated complex less than a football field away. Most of the communities on the east side of this line are gated, as near as I can tell. This is a far cry from those that run along Charles Avenue, small bungalows and shotgun shacks that are set up cheek to jowel.

More to come…
With all my love, Aunty Em

Another Open Email To Miami’s Public Records Department

THIS IS A PUBLIC REPLY

TO: Jones, Isiaa <IJones@miami.gov>
SUBJECT: Frustration Over PRR 16-452: FOIA Request
DATE:
September 28, 2016

CC: Melendez, Eleazar <ElMelendez@miamigov.com>;
Russell, Ken (Commissioner) <krussell@miamigov.com>; Mendez,
Victoria  <VMendez@miamigov.com>; Hannon, Todd
<thannon@miamigov.com>; The Loyal Readers of the Not Now Silly
Newsroom; Various Facebook Groups and Pages of my choosing

Monday
morning I sent an email which stated I’d be at Miami City Hall on
Tuesday to inspect the files you said would be waiting for me. In that
email I asked 2 questions, basically: Whether the fee for the emails I
requested was still on the table and how much it costs to photocopy per
page.

I never got a response to that email, so I didn’t
know when I arrived on Tuesday morning whether my 24 hours notice was
sufficient. Luckily, when I arrived, I was expected.

There were 2
boxes of material for me to look through, but only a small portion of
the total answered any of my search criteria. The rest was just all the
city files that arrived in those boxes from the former-Commissioner’s
office.

While some of it was quite interesting — and
I wish I had the budget to photocopy that entire 2 inch thick Reid
Welch file — and while some of it matched my search criteria, none of
it is what I asked for.

I asked for all of the email, not the files.

I
mentioned this to City Clerk Todd Hannon during a brief conversation
yesterday. He had me second guessing myself because he said I had asked
for everything, and the boxes of files was just one stream for my
request. The other stream was the electronic request for all of the
emails.

I am not sure what instructions Mr.
Hannon received, but this is exactly what I asked for, from my original
email to Commissioner Russell:

I would like to receive any email [from the former District 2 Commissioners office] that references the following keywords:

And, I’m still waiting.

To be perfectly honest, I was requesting the email FIRST in case it gave
me new information to add to a RECORDS search. You see, my RECORDS
search would have come later, based upon what the emails revealed.

I
drove down to Miami from Sunrise yesterday hoping to do all of this on
one trip. No one in the Clerk’s office knew a thing about the email I was supposed to examine.
Aside from the gas wasted, I spent more than 3.5 hours on the road 
[Yeah, it shocked me too. The roads were bad yesterday.]

Thinking
about my time and gas makes me wonder how many keystrokes it took your
IT guy to come up with a cost of $100.31. How many minutes from an IT
guy am I paying for? What is the basic rate?

One
good piece of news: I now know that you charge 15 cents per photocopy,
because I got a few made out of those boxes. That’s Kinko pricing.  

Meanwhile,
I’d like to draw your attention to the penultimate paragraph of a
letter Commissioner Ken Russell sent to the Miami Herald, published
yesterday:

Our decision on Thursday morning is not an easy one, but it is very
simple. Our attorney withheld public records, and I have lost my trust
in her. This cannot be denied, and it’s enough to call for her removal.
What’s at stake, however, is much greater. The commission has this
opportunity to tell the public that we prioritize transparency and
accountability — that we don’t agree that friends in high places should
be able to circumvent our public process.

I’m still waiting for transparency. None of this should be as hard as it has been.

An Open Reply To Miami’s Public Records Department

I have chosen to make this a public reply to an email recently received from the City of Miami’s Public Records Department.

TO: Jones, Isiaa <IJones@miami.gov>
SUBJECT: PRR 16-452: FOIA Request
DATE:
September 16, 2016

CC: Melendez, Eleazar <ElMelendez@miamigov.com>;
Russell, Ken (Commissioner) <krussell@miamigov.com>; Mendez,
Victoria  <VMendez@miamigov.com>; Hannon, Todd
<thannon@miamigov.com>; The Loyal Readers of the Not Now Silly
Newsroom; Various Facebook Groups and Pages of my choosing

Hello and thank you for your prompt attention to my FOIA request, which I first sent to the office of the District 2 Commissioner Ken Russell. You’ve summed up my keyword search criteria correctly.

However, while some may feel the fee to acquire these emails small, as a citizen blogger with a budget of $0 and zero cents, I simply cannot — will not — pay this cost. If I were, say, the Miami Herald, I could easily afford this. Unfortunately these are topics that never much interested the Miami Herald. So, it’s left to a citizen-journalist-blogger like me to ask these inconvenient questions.

I have been writing about Trolleygate and Soilgate as separate issues from their beginnings. However, recently it began to appear as if there is a connection between these two stories. Hence, my records request.

Tangentially, there was a time in this country when anyone could wander down to the local City Hall and ask to take a look at a file. Now one must pay the costs of retrieval, from an expensive and complicated system the city set up, because that’s the only option. While I understand how that makes sense fiscally, costs like this run counter to the Florida Sunshine laws. The information should be free.

Additionally, in your email you state:

The process to create the storage media will take approximately 4 business days after receiving the approval and payment. The costs includes [sic] searches for Civilian mailboxes. Police mailboxes are not included. If the request is related to a law matter case or may include any other exempted emails then a review of the results may be required before being released and this may add more delivery time and cost.

That means there will almost assuredly be additional, hidden, costs because at least one of these matters was the subject of extensive litigation, which the city of Miami eventually lost. This cost the City of Miami and the city attorney’s office a hefty legal bill that has yet to be tallied. [Hey! That might make another good Public Records Request, but one thing at a time.]

IRONY ALERT: As was in all the local newspapers, the current District 2 Commissioner, Ken Russell, requested the firing of the City of Miami attorney because he says his office no longer has any faith in her. And, why is that? Because when his office asked her office to produce emails, some were not forthcoming.

Yet, due to city protocol, here’s how Eleazar Melendez, Chief of Staff at the Commissioner’s office, was forced to reply to my FOIA request:

I am passing your email to the city attorney’s office, as we discussed, in order to fully and legally comply with this public records request. They will perform a full and exhaustive search for the terms requested and, as we discussed, might ask for a payment in order to cover resources being dedicated to performing the search.

The City of Miami attorney the District 2 Commissioner wants fired replied:

Will handle. Thx.
Victoria Méndez, City Attorney

Kafka lives!!!

Consequently, and for the reasons listed above, I am CCing the current District 2 Commissioner to see whether he is interested in discovering what kind of strange deals were made by his predecessor to:

1). Get Armbrister Field AstroTurfed over so quickly, especially considering other parks were being closed due to toxic soil [Read: Marc D. Sarnoff ► Everything Old Is New Again];

2). Get a relative clean bill of health for Armbrister Field while he was closing other parks that had toxic soil, even though parts of Armbrister Field was recently closed due to toxic soil [Read: Armbrister Field Contaminated After All! Was There An AstroTurf Cover Up?];

3). Appear to act as political lobbyist and fixer when he intermediated between Astor Development and a community group to offer $200,000 to remediate Armbrister Field with AstroTurf in order so that they drop their objection to the Trolley maintenance garage being built on Douglas Avenue [Read: Is Marc D. Sarnoff Corrupt Or The Most Corrupt Miami Politician?];

4). Subtly threaten his constituents to withdraw his approval supporting local community initiatives if they refuse to drop their objections to the Trolley maintenance garage [Read: The Trolleygate Dog And Pony Show];

5). Possibly helped the developer find a way around a City of Miami’s Planning and Zoning e-mail that flagged the Trolley maintenance garage as non-conforming [Read: BLOCKBUSTER!!! The Trolleygate Smoking Gun Surfaces];

6). Totally ignore the Civil Rights Act of 1964 in order to force a non-conforming Trolley maintenance garage onto Douglas Avenue [Read: Trolleygate Violates 1964 Civil Rights Act ► Not Now Silly Vindicated];

7). So quickly close 6 parks and begin remediation plans without any consultation with the ratepayers, who also happened to also be his own constituents in some cases;

8). Illegally apply (then remove, then deny he ever had ever done so in the first place) a Brownfield Field Site designation in the neighbourhoods surrounding these parks deemed toxic [Read: When Miami Commissioner Marc D. Sarnoff Lied To My Face].

That is why I am making a formal request to the current District 2 Commissioner Ken Russell to request these documents on behalf of the citizens of West Grove, who have been fighting systemic racism for many decades.

It has always been my contention that many of the decisions that affected West Grove made by the previous office-holder appear to have been a modern day extension of the systemic racism that has plagued the West Grove – and, to make a larger point, the entire country – over the last century. [Read: Modern Day Colonialism and Trolleygate] There is no way a Trolley maintenance garage would have ever been sited near Shipping and Virginia and it’s instructive to note that Blanche Park, across the street from the previous office-holder, was the first park closed due to toxic soil and remediated (and remediated more than once, for that matter).

I just want to find out what was happening behind the scenes while the constituents were being kept in the dark.

Thank you for your prompt attention to these matters.

Headly Westerfield
Chief Word Wrangler
Not Now Silly Newsroom